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THE LION AND THE UNICORN

From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)

Pub Date: April 1, 1999

ISBN: 0-7894-2555-6

Page Count: 60

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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NO MATTER WHAT

Small, a very little fox, needs some reassurance from Large in the unconditional love department. If he is grim and grumpy, will he still be loved? “ ‘Oh, Small,’ said Large, ‘grumpy or not, I’ll always love you, no matter what.’ “ So it goes, in a gentle rhyme, as Large parries any number of questions that for Small are very telling. What if he were to turn into a young bear, or squishy bug, or alligator? Would a mother want to hug and hold these fearsome animals? Yes, yes, answers Large. “But does love wear out? Does it break or bend? Can you fix it or patch it? Does it mend?” There is comfort in Gliori’s pages, but it is a result of repetition and not the imagery; this is a quick fix, not an enduring one, but it eases Small’s fears and may well do the same for children. (Picture book. 2-6)

Pub Date: Oct. 1, 1999

ISBN: 0-15-202061-6

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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HOW ARE YOU PEELING?

FOODS WITH MOODS

Going produce shopping with Freymann and Elffers is more of a casting call than a trip to the supermarket, for they use fruits and vegetables to display a wide range of emotions. Children and their keepers will be astonished to discover how closely the wrinkles, bends, and creases in produce can mimic human feelings. The text is fairly direct, asking questions to make children think about their emotions: “When you’re angry, do you pout? Whine? Cry? Scream? Shout?” The ridges of a red pepper, with eyes of dried peas, convey the pout, while other fruit demonstrate the rest of the query. These full-color photographs communicate most of the information; even preschoolers will be able to tell a happy orange from a glum one, and adults will smile to see an onion crying. The organic qualities of the produce are used to charming advantage, e.g., the bend of a green pepper makes the perfect overbearing profile of a bully, while a hollowed-out orange gives just the right depth to an opened-mouthed howl. Fun, and useful—what child would not be encouraged to talk about being shy when there is a cantaloupe that admits to exactly the same thing? (Picture book. 4-9)

Pub Date: Nov. 1, 1999

ISBN: 0-439-10431-9

Page Count: 48

Publisher: Levine/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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