Though steeped in nostalgia, this coming-of-age debut is timeless.
A young queer woman moves across the country in order to live her truth.
During the summer of 1996, best friends Hannah and Sam leave Long Beach, New York, to embark on their cross-country move to San Francisco just after they graduate from high school. The girls want to leave their hometown for many reasons—including Hannah’s difficult relationship with her Orthodox Jewish mother—but primarily because they are secretly dating. Once the girls get to California, they realize two things: They can finally be out as a couple, and there’s a good chance they cannot afford to stay. Semireluctantly, Hannah and Sam begin stripping at the Chez Paree. As their money troubles fade, a distance slowly opens between them. Sam happily trades fantasy for cash while Hannah resents the job. Sam yearns to meet other lesbians while Hannah struggles to feel at home within the community and herself: “I want to belong too much. I want to belong so much, I end up not belonging at all.” When Hannah meets Chris, an older, troubled lesbian at the club, her relationship with Sam begins to crumble—and she begins to find herself. Though craving a safe space for her queerness, Hannah’s biggest worry is leaving her Bubbe behind. When Bubbe travels to San Francisco to visit, she tells Hannah, “When you’re older you will look back at this time in your life, and then you will be able to see yourself very clearly. You will say, How on earth did I get all that chutzpah?” Their relationship serves as the tender and emotional throughline of the novel, as Hannah finds connection to her family, religion, and herself through her grandmother. Despite the dense plot, von Blanckensee deftly explores Judaism, addiction, grief, queer desire, found families, generational trauma, and cultivating the courage to be yourself. This debut is a beautiful portrait of being young, queer, and free (or “frei,” as Bubbe would say).
Though steeped in nostalgia, this coming-of-age debut is timeless.Pub Date: June 17, 2025
ISBN: 9780593718445
Page Count: 384
Publisher: Putnam
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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