An ambitious portrait of the struggle to thrive in the Chinese equivalent of the “American Wild West.”
These three novellas are a magical and gritty tour through life in Shenyang’s Yanfen Street shantytown, set against the backdrop of Mao’s China.
Shifting continuously among the perspectives of multiple characters and sometimes reaching across generations, Shuang blurs the boundaries among memory, imagination, and historical events. In the first novella, The Aeronaut, flashily dressed Li Mingqi courts the daughter of his father’s former mentor at a Communist leaflet printing firm, who still resents his one-time apprentice for outshining him. Mingqi’s visit sets off a series of events that force him to reckon with his father’s death and its rippling effects on the family. The narrator of the second novella, Bright Hall, is a young man still suffering from his mother’s abandonment when he was a boy. When he and his cousin Gooseberry, a dancer, chase down the suspect in the murder of an illegal preacher, their escapade leads them onto a frozen lake and into a dreamlike interrogation with a monster fish of biblical proportions. The final novella, Moses on the Plain, follows the aftermath of a string of taxi robberies and the people who are intertwined with them, including a young girl who has a fascination with fire and whose family falls into ever more dire financial circumstances. Shuang reaches the height of his literary powers when magical realism breaks through into the everyday lives of the characters, revealing the emotional and political stakes of their actions and desires. Patient and attentive readers willing to follow Shuang through the twists and turns of the characters’ shifting narratives will be rewarded with a surreal portrait of how history is made and remembered—expanding and contracting like an Escher cityscape.
An ambitious portrait of the struggle to thrive in the Chinese equivalent of the “American Wild West.”Pub Date: April 19, 2022
ISBN: 978-1-250-83587-1
Page Count: 240
Publisher: Metropolitan/Henry Holt
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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