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DEEP RIVER

Japanese writer Endo (The Final Martyrs, 1994, etc.) continues his exploration of faith and anomie—in a deceptively simple and well-told story of spiritual inquiry that movingly explores all the big questions. The opening pages briefly introduce four people who will shortly, for varying reasons, join a Japanese tour-group travelling to India: Isobe, a businessman whose deceased wife, believing she would ``be reborn somewhere in this world,'' made him promise he would look for her; Mitsuko, a volunteer at the dead woman's hospital, who is troubled by her own past and her obsession with a former classmate; retired industrialist Kiguchi, still haunted by wartime memories of Burma's notorious Highway of Death; and Numanda, a gentle writer of children's books who wants to repay his debt to the bird that saved his life when he was desperately ill. The book investigates the role religion plays in contemporary Japan, where relatives attending a funeral politely question the Buddhist priest conducting the service, while ``not one of them really believed anything the priest was saying.'' As the trip gets under way, more disquiets are explored: Isobe can't forget how he ignored his wife when she was alive; Mitsuko hungers for love but can't abandon her cynicism; Kiguchi recalls a fellow veteran who saved his life by eating human flesh but then drank himself to death trying to forget what he had done; and Numanda muses on the central role nature has played in his life. The four finally experience their epiphanies on the banks of the Ganges at Varanasi, where the old and afflicted come to die and the faithful immerse themselves in the river. In this richly detailed setting, Endo offers a faith that, using the river as metaphor, comfortingly blends all the great religions together. Conflicts a bit too neatly resolved, but saved from mawkishness by strong and original characters.

Pub Date: April 1, 1995

ISBN: 0-8112-1289-0

Page Count: 224

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1995

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THE BEAUTY QUEEN OF JERUSALEM

None of the characters shine enough to inspire or enlighten readers.

A tale of several generations of women cursed to love men who love other women.

As the book opens, Gabriela Siton relates the story of her mother Luna’s death, and in describing her final year, Yishai-Levi, a journalist and nonfiction author, captures the family dynamic and lays out the drama—Luna doesn’t get along with Gabriela; she’s unhappy with her husband, David; she didn’t get along with her mother, Rosa; and all this has left Gabriela at loose ends. Gabriela seeks answers from her Aunt Allegra in Tel Aviv, trying to understand the family “curse,” and then the book shifts mostly to Rosa’s and Luna’s viewpoints. It abruptly shifts back in the end to Gabriela’s, skipping over years, when earlier, the narrative plodded slowly through days. There are so many characters that we only get a brief look at some of them, and so many disappointments and heartbreaks that they begin to lose their impact. Ordinary lives can be made beautiful, but when they belong to characters who are either unsympathetic or rudimentary, they are rendered ineffective. The characters’ faith, which influences so many of the important decisions in their lives, mostly comes across as routine, habit, or even superstition. Some of the characters become involved in the struggle for modern Israel, and their political fervor is similarly underdeveloped.

None of the characters shine enough to inspire or enlighten readers.

Pub Date: April 5, 2016

ISBN: 978-1-250-07816-2

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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THE PARIS ARCHITECT

A satisfyingly streamlined World War II thriller.

During the Nazi occupation of Paris, an architect devises ingenious hiding places for Jews.

In architect Belfoure’s fiction debut, the architectural and historical details are closely rendered, while the characters are mostly sketchy stereotypes. Depraved Gestapo colonel Schlegal and his torturer lackeys and thuggish henchmen see their main goal as tracking down every last Jew in Paris who has not already been deported to a concentration camp. Meanwhile, Lucien, an opportunistic architect whose opportunities have evaporated since 1940, when the Germans marched into Paris, is desperate for a job—so desperate that when industrialist Manet calls upon him to devise a hiding place for a wealthy Jewish friend, he accepts, since Manet can also offer him a commission to design a factory. While performing his factory assignment (the facility will turn out armaments for the Reich), Lucien meets kindred spirit Herzog, a Wehrmacht officer with a keen appreciation of architectural engineering, who views capturing Jews as an ill-advised distraction from winning the war for Germany. The friendship makes Lucien’s collaboration with the German war effort almost palatable—the money isn’t that good. Bigger payouts come as Manet persuades a reluctant Lucien to keep designing hideouts. His inventive cubbyholes—a seamless door in an ornamental column, a staircase section with an undetectable opening, even a kitchen floor drain—all help Jews evade the ever-tightening net of Schlegal and his crew. However, the pressure on Lucien is mounting. A seemingly foolproof fireplace contained a disastrous fatal flaw. His closest associates—apprentice Alain and mistress Adele—prove to have connections to the Gestapo, and, at Manet’s urging, Lucien has adopted a Jewish orphan, Pierre. The Resistance has taken him for short drives to warn him about the postwar consequences of collaboration, and his wife, Celeste, has left in disgust. Belfoure wastes no time prettying up his strictly workmanlike prose. As the tension increases, the most salient virtue of this effort—the expertly structured plot—emerges. 

A satisfyingly streamlined World War II thriller.

Pub Date: Oct. 1, 2013

ISBN: 978-1-4022-8431-1

Page Count: 384

Publisher: Sourcebooks Landmark

Review Posted Online: March 24, 2013

Kirkus Reviews Issue: April 15, 2013

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