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MCBROOM'S GHOST

It's disconcerting to meet the McBrooms in any but the Kurt Werth incarnation, especially as Frankenberg's 13 raspberry-haired yokels are less fetching than their predecessors. But the affable farmer's tales are as tall as ever when he gets to gabbing about the winter of the Big Freeze. That's the year when snowmen go south for the winter, red barns turn blue with the cold, and the smoke takes to freezing in the chimney and has to be blasted with a shotgun three times a day. During periods of thaw the family is pestered by a spook who imitates the sounds of the family's dead rooster, McBroom's voice calling the children, and the piccolos from a favorite Sousa recording. To no avail McBroom consults Widow Witherbee, burns a pile of old shoes to exorcise the spirit, and buys a ghost-hunting mongrel dog. Then one early spring day, when wolf howls from nowhere frighten away villainous neighbor Jones' invading hogs, "Glory be! It was clear to me now. There never had been a haunt lurking about! It was nothing but the weather playing pranks on us. . . . The sounds had frozen. And now all those sounds were thawing out!" More hayseed hyperbole from a ripsnorter.

Pub Date: Oct. 1, 1971

ISBN: 0843179481

Page Count: 72

Publisher: Norton

Review Posted Online: April 25, 2012

Kirkus Reviews Issue: Oct. 1, 1971

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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