by Sid Fleischman & illustrated by Peter Sas ‧ RELEASE DATE: Sept. 15, 1988
From the author of a slew of comic stories plus a Newbery winner (The Whipping Boy), a tale about a solitary old farmer who makes an old man's equivalent of an imaginary playmate of his scarecrow. At first, Lonesome John's "Scarebird" is strictly utilitarian; it doesn't even have a head, but it looks fearsome that way, so John makes it one and then, by degrees, begins to talk to it and make it more comfortable by giving it hat, raincoat, and shoes; the two even play checkers. When Sam comes by looking for a job, John at first prefers his privacy and the relationship he has established with his invention. Sam, however, is cheerful and persistent; John is soon transferring the scarecrow's belongings to the real boy for his real needs, welcoming someone who can move his own checker pieces and trade harmonica tunes. The gentle humor of this unusual story should endear it to picture-book audiences. Sis' decorative illustrations, in delicately glowing color with economical use of detail and elegant design, convey the timeless mood, the kindliness of the man and boy, and the warmth of their growing friendship. An artful, engaging look at the meaning of commitment to fellow beings; a lovely book.
Pub Date: Sept. 15, 1988
ISBN: 0688131050
Page Count: 36
Publisher: Greenwillow Books
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Aug. 15, 1988
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More by Sid Fleischman
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BOOK REVIEW
by Sid Fleischman and illustrated by Peter Sís
BOOK REVIEW
by Laufey ; illustrated by Lauren O'Hara ‧ RELEASE DATE: April 21, 2026
A reassuring riff on embracing imperfections.
A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.
Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.
A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)Pub Date: April 21, 2026
ISBN: 9798217051748
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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