Fortunately, these additions can be easily ignored or inflated according to taste, and full concentration given to the poem...
A die-cut hole approach to an old favorite that offers a view of the old lady's stomach and its expanding bestiary.
The text has the look of a ransom note (a touch the devoured creatures might appreciate), but the jaunty colors—set skipping by a judicious use of black—keep the dark side of the poem at bay. Those accustomed to the streamlined version of this ditty won't know what to make of the comments scattered throughout the pages, little asides quipped by animals not yet swallowed; these rhyme with the ``perhaps she'll die'' line of the poem.
Fortunately, these additions can be easily ignored or inflated according to taste, and full concentration given to the poem itself and the wild, eye-catching artwork: It is good fun to watch the old lady bulge and bloat, and the sheer corniness of the verse continues to be deeply gratifying. (Picture book. 4-8)Pub Date: Sept. 1, 1997
ISBN: 0-670-86939-2
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)
Pub Date: April 1, 1998
ISBN: 0-590-97219-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The scenario is absolutely authentic: Jamaica is embarrassed by her hand-me-down boys' boots and jealous of Brianna's pretty pink ones; when Jamaica's wear out, she chooses cowboy boots so Brianna won't say she copied—only to have Brianna tell her that they ``aren't in''; hurt, she declares Brianna's ``ugly.'' All comes right when the two finally level: Brianna's boots are also hand-me-downs, and she can't wait to grow so she can replace them. Yes, the story's about boots—as important an arena for choice and identity for small children as for their elders—but it's also, in Havill's simple, beautifully honed text, about friendship. O'Brien's warm, realistic illustrations of this vibrant African-American and her lively Asian-American friend are just right. (Picture book. 4-8)
Pub Date: Sept. 1, 1993
ISBN: 0-395-64489-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
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