by Simon Bartram & illustrated by Simon Bartram ‧ RELEASE DATE: Feb. 1, 2009
The hardworking, lantern-jawed gent introduced in Man on the Moon (2002) finds doggy (more or less) companionship in this cheerfully oddball sequel. Searching for “a pal who’ll always be by my side,” Bob mopes through an ordinary Earth day of solitary meals and errands (spaceship batteries and Moon-patterned underwear) before rocketing off to work as a guide and performer for lunar tourists. The ordinary events described in Bartram’s text find hilarious counterpoint in the seemingly staid illustrations. As Bob obliviously goes about his business, sharp-eyed viewers will pick out small alien hands snatching every cupcake in sight, pigeons and other city residents transformed with bright colors and eyes on stalks and, in nearly every scene, a small tail-wagger who looks just like a puppy save for the single eye atop its head. Of course, Bob and this last do ultimately hook up, and go off blissfully together. Fans of Chris Gall’s There’s Nothing To Do On Mars (2008) and William Joyce’s classic Day With Wilbur Robinson (1990, 2006) will be richly entertained. Value added: a glow-in-the-dark poster inside the jacket. (Picture book. 6-9)
Pub Date: Feb. 1, 2009
ISBN: 978-0-7636-4425-3
Page Count: 32
Publisher: Templar/Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
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by J. Patrick Lewis & illustrated by Simon Bartram
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by Marcus Sedgwick & illustrated by Simon Bartram
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by Tim Preston & illustrated by Simon Bartram
by Melinda Long & illustrated by David Shannon ‧ RELEASE DATE: Sept. 1, 2003
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by Melinda Long ; illustrated by Monica Wyrick
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by Melinda Long & illustrated by David Shannon & developed by Oceanhouse Media
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by Melinda Long & illustrated by David Shannon
by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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More by Carlo Collodi
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
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