A superbly wrought, aesthetically and psychologically acute portrait of Welles's sheer, undisciplined genius. The first of a projected two volumes, this biography takes Welles to the grand old age of 26 (where other talents usually begin their ascent to fame and fortune) and the release of his masterpiece, Citizen Kane. But what seemed like one more triumph in an ever more brilliant and audacious career was really a cresting of the flood, and the years to come, despite occasional squalls of genius, would be a sad, slow ebbing away. As Callow (Charles Laughton, 1988, etc.) notes, Welles had ``created a body of work in several media that he would never surpass: in the theater, in radio, in book illustration, in film.'' Welles was an awesomely precocious child. Even when he was a preschooler, most adults who encountered him, from preachers to postmen, felt certain he was destined for greatness. Some of this precocity was certainly due to Welles's ambitious, demanding mother. Her death when he was nine left him with a driving and lifelong sense of guilt and constant need to prove himself. Like its subject, this biography occasionally tends to flabbiness. Callow particularly overdetails Welles's substantial juvenilia (i.e., his accomplishments before he was 17). But rarely, perhaps not since Franáois Truffaut's book on Hitchcock, has an arts biographer possessed such a professional and intuitive understanding of his subject. Callow, a British actor (most recently in Four Weddings and a Funeral) and sometime director, offers innumerable hard-won insights into Welles's artistic processes, dissecting them with a careful, revealing hand, guided by his actor's eye for psychological underpinnings. His research is effortlessly vast, and Callow corrects many of the myths and dissemblings surrounding Welles, some of them put out by Welles himself. And this is all accomplished in a highly literate, epigrammatic style that makes this biography a sumptuous pleasure to read. A masterful effort. It will be a hard, fidgety wait for the second volume. (24 pages b&w photos, not seen)
Pub Date: Jan. 1, 1996
ISBN: 0-670-86722-5
Page Count: 640
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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