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THE ERROR WORLD

AN AFFAIR WITH STAMPS

The author’s enthusiasm does not prove contagious.

Observer feature writer Garfield (Private Battles, 2006, etc.) examines his passion for stamp collecting.

The veteran British author begins in late 2006, when he was on “the brink of ruin.” He was in debt; his marriage had collapsed; he was involved in an affair with a woman from his past. And philately was the proximate—though not, he reveals later, the ultimate—cause of all this. As Garfield slowly unspools the story of his rise and fall, he detours frequently to zoom in on areas of stamp collecting’s increasingly unfamiliar map. (Today’s young people don’t seem interested in the hobby, he notes.) He sketches the history of the postage stamp, interviews a former U.K. Postmaster General, visits stamp dealers and authorities, attends auctions, glances at how various writers (e.g., Philip Roth, Louise Erdrich) have used philately in their fiction, notes that celebrities like John Lennon have been collectors and examines stamps-never-issued in the Royal Mail Archive. Garfield began collecting as a boy, he says, then gave it up as an adolescent and young man, but returned to it, with renewed vigor, in his 40s. He made substantial purchases (concealed from his wife) and became obsessed with “error stamps,” those with printing or production mistakes that elevated their value, sometimes enormously. He eventually credits Freud for helping him understand that his collecting was a form of compensation for the untimely losses of his father to a heart attack, his mother to cancer and his brother to viral pneumonia. Garfield depicts his marital infidelity in the same, vaguely self-serving light—and, of course, the flaws on his beloved stamps are analogous to those in his character. He eventually sold his most valuable stamps and paid some debts.

The author’s enthusiasm does not prove contagious.

Pub Date: Jan. 20, 2009

ISBN: 978-0-15-101396-8

Page Count: 288

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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