Some of the story covers familiar sci-fi terrain, but laser blasts and galactic pursuits make for a stellar tale.
Prisoners break free in an extraordinary ship powerful enough to hunt pirates and stop innocents from becoming slaves in the first of Goodson’s (Dark Soul Silenced, 2013, etc.) sci-fi series.
Sixteen-year-old Jess was born in captivity. But he has a chance to escape when he and fellow prisoners Matt and Sal step onto a ship to check it for booby traps. Bolts of electricity inside the vessel knock off the trio’s control collars, and they take the opportunity to run. Strangely, the ship, named the Wanderer, responds to Jess’ touch, allowing the group a clean getaway. The Wanderer fixes a “web of strands” to Jess and ultimately links to him without a physical connection. As ship captain, the teenager answers a distress call, and after he destroys a menacing Imperial craft, a number of passengers join Jess, Matt, and Sal. But some of those people may have taken others against their wills. Jess returns children to their homes, or stations, but is surprised by a shocking attack followed by a devastating betrayal. It seems everyone wants the Wanderer, especially those who witness the ship’s speed and ferocity. Jess and his remaining allies duck out on Washington (the planet), near a mining complex that’s a base for illicit activities like slave trading. They plan to infiltrate a band of criminals and liberate its bevy of prisoners. The fast-paced novel kicks the action into high gear; the opening chase with absconding prisoners is followed by numerous battle scenes in the Wanderer. Romance between Jess and rescued Ali happens almost immediately, like a YA story, while the never-been-kissed hero blushes quite often. Nevertheless, Jess and the ship’s relationship remains unquestionably engrossing. He essentially acts as the Wanderer’s conscience, bringing its mind to life—which explains his phenomenal piloting skills. The story’s a little derivative of other works, particularly Star Wars: the prime baddies are collectively the Empire, while alien Teeko’s jumbled speech too closely resembles Yoda’s. But Goodson leaves open plenty of plot avenues, including origins for Jess and the Wanderer, to explore in the series’ sequels.
Some of the story covers familiar sci-fi terrain, but laser blasts and galactic pursuits make for a stellar tale.Pub Date: Aug. 6, 2013
ISBN: 978-1-4910-9979-7
Page Count: 250
Publisher: CreateSpace
Review Posted Online: May 22, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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