A darkly entertaining, raunchy road trip—New York City to Brazil—by hearse, from newcomer Mayle. Mayle figured the most sensible vehicle to pilot for the 15,000 miles to Carnival was a hearse, a raven-black, 21-foot behemoth, complete with heavy chroming, fins, and wheelskirts, a vintage '73 dreamboat, sure to ``sing like a bird, pull like a train.'' Narco-gangsters, banditos, the Shining Path, kidnappers: All would give wide berth to the slab of mobile bad karma. He drafted two weird characters—Lenny, the Artist, and Tarris, outlander and road warrior—to share the journey. Stereo pumping, in the guise of traveling morticians, they made their way south. And what might be expected to befall them does: The transmission blows a gasket, they run out of gas, again and again. They argue among themselves, they drink an ungodly amount, there is a minor confusion with a clutch of male prostitutes. Each border crossing is an exercise in bribery, each town sports a sour, stale bar. The boys hit every one of them, alert to the possibilities, fornication on their minds. They even fashion a few rules: Drunk driving is banned, as is drunk dancing on the roof of the hearse. But these fellows enjoy tiptoeing to the edge—fencing some artwork in Bogot†, falling into a police trap trying to score coke in Cali, sinking their testicles into bowls of ice to counteract the tropical heat (an old Sri Lankan trick known to Tarris). When Mayle loses his traveling companions in Colombia, he continues to play it light, the writing remains jazzy and impetuous, but by now there is a decided note of menace in the air, gritty and scary. A grade B movie on wheels, indelicate and noir. (Author tour- -with hearse)
Pub Date: Sept. 1, 1996
ISBN: 0-8021-1604-3
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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