An essential text, bathed in blood, lit with faint hope.
The sanguinary story of thousands of years of conflict in the home city of religions.
Perhaps it’s impossible to write disinterested history, but Montefiore (Young Stalin, 2007, etc.) endeavors to do so—and largely succeeds. The author sees Jerusalem not just as the setting for some of history’s most savage violence—some of the butchery makes Titus Andronicus look like a Sesame Street segment—but a microcosm of our world. Our inability to achieve sustained peace there is emblematic of our failures around the globe. Montefiore begins in 70 CE with the assault of the Roman leader Titus (not Andronicus) on Jerusalem, an attack featuring thousands of crucifixions of Jews—not to mention eviscerations to extract from the bowels of the victims the valuables they’d swallowed. The author then retreats to the age of the biblical David, and away we go, sprinting through millennia, pausing only for necessary explanations of politics, religion, warfare and various intrigues. The story is horribly complex, and Montefiore struggles mightily to make everything clear as well as compelling, but the vast forest of names, places, events sometimes thoroughly conceals some small treasure at its heart. Still, the history is here: Nebuchadnezzar, the Herods, Alexander the Great, Jesus, Pilate, Caligula, Paul, Titus, Justinian, the Arabs and the Muslims, the Crusades, Richard the Lionheart, Saladin, Suleiman, Ottomans, Napoleon, Disraeli, Lawrence of Arabia, Zionism. There are even some guest appearances by Thackeray, Twain and Melville. Suddenly, we are in the 20th century, and only the names and the killing technology have changed. The author ends with the 1967 Six-Day War and with some speculations about the future.
An essential text, bathed in blood, lit with faint hope.Pub Date: Oct. 31, 2011
ISBN: 978-0-307-26651-4
Page Count: 672
Publisher: Knopf
Review Posted Online: Aug. 27, 2011
Kirkus Reviews Issue: Sept. 15, 2011
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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