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MY FATHER SAID/ MI PADRE DIJO

A tender portrait of paternal love in its many varieties.

Awards & Accolades

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A son recounts all the ways his father showed his love in this bilingual children’s book.

The dads in the storybooks of today often show complete command of their emotions and are endlessly forthcoming with their pride, vulnerability, and support. But author and illustrator Silva reminds readers in this book’s introduction that for plenty of dads of an older generation, or dads who weren’t raised in the American middle class, “it can be hard to openly share their feelings or bond with their kids” in the ways Western society believes they should. This children’s book is a love letter to fathers like the author’s, who prefer to use actions rather than gifts or words to convey the depth of their feelings. The text follows a consistent structure of two lines starting with “my Father said he loves me…” in both English and Spanish, accompanied by a digital illustration. Silva depicts a chronology of a working-class Mexican-American father and his son from the child’s birth through childhood. The narrative marks milestones like haircuts, working, and birthdays, with many illustrations pointing to agricultural work as well as traditional Mexican food, music, and decor; these represent declarations of love through hard work, sacrifice, and cultural pride, with the father showing his devotion through “his backbreaking work” and “the music he played.” The digital illustrations often have a photographic quality, which effectively enhances the book’s theme of memory.

Silva’s poignant and personal story offers a perspective on a kind of paternal love that is often misinterpreted; he writes in the afterword that “My Father said…he loved me…although not with words…now I know how much he cared.” His vibrant, 2-D art style conveys the idea that his life is full of dynamic love (despite not hearing the words) in a variety of domestic scenes, like bedrooms, kitchens, and family trips in the car; homes are decorated with colorful walls, paper banners, Catholic elements (like crosses), and photographs. The most compelling visual elements, however, are the pastoral depictions of the “backbreaking work” that the father does to sustain his family. Silva uses long lines that bisect the pages to represent the fields he and his family worked in, rendered in shades of green, brown, and orange to emphasize their importance. There are some subtle cues about class and the sacrifices made by those living the immigrant experience, perhaps most acutely in the image of “calloused working hands,” coarse with abrasions, over a planting field. A family scene in the car shows that the protagonist has other siblings and a mother, thus implying love in other forms, but this narrative is squarely an homage to his relationship with his father—his namesake—and the story of how he was taught how to love in turn. Children raised differently can learn a new love language from Silva’s tale, and children native to either language will get the words to appreciate how love may or may not manifest in their families.

A tender portrait of paternal love in its many varieties.

Pub Date: July 28, 2024

ISBN: 9781958615300

Page Count: 32

Publisher: Con Todo Press

Review Posted Online: Aug. 23, 2024

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WHY A DAUGHTER NEEDS A MOM

New parents of daughters will eat these up and perhaps pass on the lessons learned.

All the reasons why a daughter needs a mother.

Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.

New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)

Pub Date: May 1, 2019

ISBN: 978-1-4926-6781-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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THE MAGICAL YET

A solid if message-driven conversation starter about the hard parts of learning.

Children realize their dreams one step at a time in this story about growth mindset.

A child crashes and damages a new bicycle on a dark, rainy day. Attempting a wheelie, the novice cyclist falls onto the sidewalk, grimacing, and, having internalized this setback as failure, vows to never ride again but to “walk…forever.” Then the unnamed protagonist happens upon a glowing orb in the forest, a “thought rearranger-er”—a luminous pink fairy called the Magical Yet. This Yet reminds the child of past accomplishments and encourages perseverance. The second-person rhyming couplets remind readers that mistakes are part of learning and that with patience and effort, children can achieve. Readers see the protagonist learn to ride the bike before a flash-forward shows the child as a capable college graduate confidently designing a sleek new bike. This book shines with diversity: racial, ethnic, ability, and gender. The gender-indeterminate protagonist has light brown skin and exuberant curly locks; Amid the bustling secondary cast, one child uses a prosthesis, and another wears hijab. At no point in the text is the Yet defined as a metaphor for a growth mindset; adults reading with younger children will likely need to clarify this abstract lesson. The artwork is powerful and detailed—pay special attention to the endpapers that progress to show the Yet at work.

A solid if message-driven conversation starter about the hard parts of learning. (Picture book. 4-8)

Pub Date: April 14, 2020

ISBN: 978-1-368-02562-1

Page Count: 40

Publisher: Disney-Hyperion/LBYR

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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