The story of a Nazi collaborator in Norway and one of his victims fails to engage the emotions.
The Holocaust comes to Norway.
Though its stated goal is to preserve the story of Hirsch Komissar, the author's wife’s Jewish great-grandfather and the owner of a thriving boutique in Trondheim, Norway, before the German invasion in April 1940, Stranger’s fact-based novel is more a portrait of one of the collaborators who abetted the process of killing hundreds of that country’s Jews and others during the Holocaust. Arrested by the Germans in January 1942 for the offense of spreading news from the BBC, Hirsch is executed later that year in a Norwegian labor camp. Meanwhile, following his recruitment by the Nazis shortly after the invasion, Norwegian Henry Oliver Rinnan, the source of the information leading to Hirsch's arrest, skillfully infiltrates the nation’s resistance network and, with his accomplices, runs a ruthless interrogation operation out of a house that came to be known as the “Gang Monastery.” In an ironic twist, when Hirsch’s son and his family return from Sweden to Trondheim in 1948, they move into the former torture headquarters, where grisly evidence of Rinnan’s cruelty remains. Stranger employs an unusual storytelling technique, labeling each section with a letter of the alphabet, followed by a series of words—“A for accusation. A for arrest. A for all that will disappear and slide into oblivion”—that launches him into the pieces of nonchronological narrative that compose the novel. Not for lack of interest in Hirsch’s story, but seemingly more because of the better-documented record of Rinnan’s treachery and brutality, the novel’s focus shifts, gradually but unmistakably, to become the chronicle of an amoral man, motivated to kill by little more than greed, lust, and a desire for revenge for the torment inflicted on him as a child because of his small physical stature and his rural family’s poverty. While he doesn’t lack for vivid scenes, Rinnan never comes close to qualifying as a truly complex or tragic figure, and the tragedy of Hirsch’s death never fully comes to life.
The story of a Nazi collaborator in Norway and one of his victims fails to engage the emotions.Pub Date: May 19, 2020
ISBN: 978-0-525-65736-1
Page Count: 304
Publisher: Knopf
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
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