Thoughtfully and humanely acerbic.
An author best known for her essay collections—Look Alive Out There (2018) and I Was Told There’d Be Cake (2008)—explores the inner workings of modern love in her second novel.
Lola’s whole life revolves around the magazine where she has worked for years. Her co-worker Vadis has become her best friend simply by being someone she sees every day and the person who knows more about her than anyone else. Lola’s identified each and every shortcoming in their boss, Clive—she describes him as a man “animated by logic and brown liquor”—but she’s still just a little bit in thrall to him. Even after Modern Psychology folds, she meets up with Clive and Vadis and another colleague for the occasional dinner. They’re finishing a meal in Chinatown when she steps out for a cigarette and runs into her ex, a writer named Amos. They have a charged conversation, one that makes Lola ask herself uncomfortable questions about her engagement to an artist she calls Boots. The next night, after an old acquaintance drags her to the same Chinese restaurant, Lola encounters Willis, an Olympic athlete and another former lover....She soon learns that these encounters are not coincidences and there are more such encounters to follow. Crosley is nothing if not ambitious here, interrogating contemporary wellness culture and the very nature of love as Lola confronts a gauntlet of ghosts from her romantic past and questions her desire for a future with Boots. Clive, who parlayed his role as editor of Modern Psychology into a brief career as a talk show host, emerges as a self-styled guru using the free labor of his unquestioning acolytes to create a product that gives clients perfect emotional closure. Crosley has created the ideal protagonist/narrator for navigating this low-key–SF but very real world. Lola is skeptical and prickly while also being vulnerable—a wiseass with a heart. The story is plenty engaging, but it’s Crosley’s analytical acumen and gift for the striking metaphor that really gives the book life.
Thoughtfully and humanely acerbic.Pub Date: June 7, 2022
ISBN: 978-0-3746-0339-7
Page Count: 304
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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