This novel about a chain of interlinked friends on the brink of their 30s has a few overly manufactured plot elements but...
This debut novel from a bestselling essayist follows a circle of friends on a quest to find a priceless necklace and regain an even rarer treasure: a genuine connection.
This trenchant first novel from the author of I Was Told There'd Be Cake (2008) and How Did You Get This Number (2010) is about a necklace; Guy de Maupassant’s classic short story, “The Necklace”; and an interconnected circle of friends from college who, like beads on a broken necklace, have dispersed and rolled off on different paths. Some of these young people have gotten lost—or lost some essential part of themselves—along the way as they hurtle toward their 30s, watching their 20s blur by and disappear in the rearview mirror. While the luckier (wealthier, more successful) of them marry and move toward parenthood, three of the pals—hapless, unemployed data-crunching Brooklynite Victor; charismatic yet not quite successful LA screenwriter Nathaniel; and clever, spritelike Kezia, whose job working for an offbeat jewelry designer in Manhattan is, she fears, hardening her soul—all single, are beginning to wonder if they're wasting their lives pursuing goals as false and worthless as a paste gemstone. Crosley’s smart, sardonic, sometimes-zany, yet also sensitive story is told from the alternating perspectives of these three linked characters, taking the readers along as they reunite first for a friend’s wedding in Miami and then again for a road trip in France, setting off from Paris in pursuit of, yes, a priceless necklace but also of things far more valuable: the truth about themselves and one another, a genuine sense of purpose (or, at least, an antidote to their approaching anhedonia), and, perhaps most precious of all, a connection to one another.
This novel about a chain of interlinked friends on the brink of their 30s has a few overly manufactured plot elements but overall is a real gem.Pub Date: Oct. 6, 2015
ISBN: 978-0-374-12441-0
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
PROFILES
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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