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CINDERELLA

A bland retelling, well stocked with pedagogical features.

A sweet version of the tale, with Disney-style cartoon illustrations and a carriage full of literacy-building tools.

With help from her matronly “godmother, who was a fairy,” Cinderella meets and weds the Prince, forgiving her stepsisters Drizella and Anastasia (her stepmother vanishes after an early cameo) and going on to live at court “happily, with the Prince and their many children.” The text and an optional audio narration that comes with both highlighted words and auto-advance can be switched between French and English on any page. A swinging cord visible on every page (even the credits) pulls down a menu of further options—pronouncing individual words at a touch, displaying for selected words either a brief definition or a small image, even highlighting all the vowels. The illustrations are not touch sensitive, but they move or transform smoothly. In fact, touching the screen isn’t a good idea, as it seems to derail the app, causing all sound to cease until the “play” button is tapped; multiple touches create a sort of pantomime as the characters continue to move silently, cause the menu bar to flicker, set off a page turn and sometimes disassociate the text from the art.

A bland retelling, well stocked with pedagogical features. (iPad storybook/educational app. 6-8)

Pub Date: Oct. 21, 2011

ISBN: N/A

Page Count: -

Publisher: Chocolapps

Review Posted Online: Nov. 15, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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WE ARE GROWING!

From the Elephant & Piggie Like Reading! series

Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early...

Elephant and Piggie make an appearance to introduce the first in their new series, an egalitarian introduction to superlatives.

Each one of seven blades of talking grass—of a total of eight—discovers that it is superb at something: it’s tallest, curliest, silliest, and so forth. The humor aims to appeal to a broad spectrum. It is slightly disturbing that one being eaten by purple bugs is proud of being the crunchiest, but that will certainly appeal to a slice of the audience. The eighth blade of grass is grappling with a philosophical identity crisis; its name is Walt, a sly reference to Whitman's Leaves of Grass that will go right over the heads of beginning readers but may amuse astute parents or teachers. Tension builds with the approach of a lawn mower; the blades of grass lose their unique features when they are trimmed to equal heights. Mercifully, they are chopped off right above the eyes and can continue their silly banter. Departing from the image of a Whitman-esque free spirit, Walt now discovers he is the neatest. Lots of speech bubbles, repetition, and clear layout make this entry a useful addition to lessons on adjectives and superlatives while delivering a not-so-subtle message that everyone is good at something. Elephant and Piggie's final assertion that “this book is the FUNNIEST” doesn't necessarily make it so, however.

Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early reader. 6-8)

Pub Date: Sept. 20, 2016

ISBN: 978-1-4847-2635-8

Page Count: 64

Publisher: Hyperion

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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KICK PUSH

An important reminder that, in the quest for friendship, who you truly are is more than enough.

Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.

When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.

An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)

Pub Date: April 19, 2022

ISBN: 978-1-5476-0592-7

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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