A fresh and timely perspective on the immigrant experience—required reading for fans of Stefanovic and a strong inducement...
A writer and raconteur chronicles her life growing up in the former-Yugoslavian immigrant subculture of 1990s Australia.
Stefanovic (You're Just Too Good to Be True, 2015), the host of the literary salon Women of Letters New York, uses the eponymous pageant to introduce the “ex-Yugos,” immigrants from the former Yugoslavia who found refuge in Australia from the brutal wars of the Slobodan Miloševi? regime. The author’s adolescence coincided with the dissolution of her country. Her parents, anti-Miloševi? activists and members of an urban intellectual elite, sensed the coming storm and moved their family abroad to secure citizenship and hence an escape route from the impending conflicts. Stefanovic recounts her youth, from earliest memories of life in Serbia to a few formative years spent bouncing between Melbourne and Belgrade and finally back to Australia for good, where she joined the growing Serbian-Australian population forced to watch TV news snippets of their home country imploding. The author effectively explains how, despite her proud ambivalence, she came to embrace “ex-Yugo” culture so thoroughly that she agreed to compete in a gaudy local beauty pageant to represent it. Living between two cultures added fuel to the already blazing fires of adolescent awkwardness, and Stefanovic tends to deprecate rather than sympathize with her past self, whom she casts as pathetic and attention-seeking. Yet being an outsider sharpened her powers of observation and improved her gifts for language, setting her on the path toward a career as a storytelling performer. Eventually, Stefanovic found her way to activism through writing. Her quirky, poignant, relatable anecdotes offer a nuanced and unflinching portrait of lived experience, rejecting the media’s oversimplified accounts of the Yugoslavian wars and helping to break down the monolithic labels applied to refugees from those wars, especially Serbians. Her stories show the ways in which war warps the lives of generations, even those who never witness violence firsthand.
A fresh and timely perspective on the immigrant experience—required reading for fans of Stefanovic and a strong inducement for newcomers to explore the rest of her work.Pub Date: April 17, 2018
ISBN: 978-1-5011-6574-0
Page Count: 272
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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