An ebullient mystery classic that foreshadows the subgenre of intricate “how-dunits.”
An eager amateur sleuth solves a series of baffling murders that have confounded Tokyo for more than 40 years.
The prolific career of acclaimed Japanese detective novelist Shimada began with this stand-alone whodunit, first published in 1981 and packed with tropes that influenced the genre, in Japan and elsewhere, in the subsequent decades. The theatrical flair possessed by both the killer and the fledgling author is evidenced by the story’s presentation in acts and scenes rather than chapters, along with entr’actes that put an additional spin on the kaleidoscopic plot. (Two of these even features Shimada himself.) The lengthy prologue that introduces the reader to the crimes is the “last will and testament” of a man who says he’s possessed by the devil and who outlines a fiendish serial murder plan. His corpse is discovered in a locked room, but, incomprehensibly, someone implements his plan. The case remains unsolved until it’s tackled decades later by a dynamic duo. Kazumi Ishioka serves as wide-eyed Watson to the Holmes of his pal, astrologer and armchair detective Kiyoshi Mitarai. The Dramatis Personae listing characters in both 1936 and 1979 will help readers keep everyone straight. The overused metaphor of a puzzle is completely appropriate here, since the pieces include multiple first-person accounts across several decades as well as many illustrations: maps, charts and, chillingly, a series of body diagrams that depict the legacy of Azoth in the course of unraveling the mystery.
An ebullient mystery classic that foreshadows the subgenre of intricate “how-dunits.”Pub Date: Aug. 5, 2025
ISBN: 9781805335153
Page Count: 320
Publisher: Pushkin Vertigo
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Focus on people and places; leave the red herrings to someone else.
Perrin’s third Castle Knoll mystery moves to London, where Annie Adams investigates the murder of her mother’s protégé.
Acclaimed painter Laura Adams is known for her solitary ways. So Annie is perplexed, and a little piqued, to learn that her mother has taken art student Felicity Rowe under her wing, even allowing Fliss to share her Chelsea town house. Annie isn’t hard up for lodgings, since she inherited a fortune from her great-aunt Frances, but her concern over her mother’s new living arrangements brings her down from rural Dorset to assess the situation in person. That concern rises to the level of panic when Felicity turns up dead in a dumpster behind the house. Laura’s clearly hiding something, and to unravel the complex puzzle, Annie needs the help of her old friend, police Detective Rowan Crane. Felicity’s murder turns out to have roots in the decades-old death of socialite Vera Huntington, who partied with Frances in London’s jazz clubs back in the 1960s. Perrin handles the twin narratives deftly, giving careful attention to each and permitting their connection to develop richly. She allows the love interest in each story to follow their own peculiar trajectory. And she draws a vivid picture of London, both past and present. The solution to the puzzle, on the other hand, is easily foreseen and too long in coming. Perrin is at her considerable best when she concentrates on drawing sympathetic, believable characters facing tough emotional issues.
Focus on people and places; leave the red herrings to someone else.Pub Date: April 28, 2026
ISBN: 9798217047505
Page Count: 336
Publisher: Dutton
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
BOOK REVIEW
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