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COURT OF LIONS

From the Mirage series , Vol. 2

A solid conclusion.

In the conclusion to the Mirage duology, identity and self-acceptance are inextricably tied to revolution and the dismantling of colonial oppression and power.

Having spared a rebel assassin and broken princess Maram’s trust, body double Amani must now obey orders to the letter to avoid further torture of her family by Maram’s stewardess Nadine. The order for Amani to stand as a proxy in the royal marriage to prince Idris is exquisitely painful, physical proximity serving as a daily reminder of the impossible reality of their mutual love. But Maram’s additional secret orders reveal the half Kushaila/half Vath princess’s inner conflicts of identity and discomfort with the unjust rule of the Vath and her father. Amani must regain Maram’s trust and convince her and their possible allies that Maram is the queen their planet needs. Daud continues to explore aspects of colonialism, from cultural erasure to self-hatred, action versus complicity, and liberation from structural oppression. Shifting perspectives reveal the depth of Maram’s inner conflicts but also the power dynamics and trappings of the two women. The pacing is deliberate, focusing mostly on court machinations and personal relationships as inner and interpersonal conflicts dominate over rebellion plots and revelations (some a little too on-the-nose). Daud’s prose is poetic and rich though occasionally repetitive. The climax, while satisfying, is more abbreviated. Most characters are brown-skinned.

A solid conclusion. (maps, dramatis personae, political factions, timeline, glossary) (Fantasy. 13-18)

Pub Date: Aug. 4, 2020

ISBN: 978-1-250-12645-0

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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