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JUNK MAN’S DAUGHTER

Levitin’s tale of a hardworking immigrant family pulling itself up to prosperity through hard times is inspiring, if hobbled by bland illustrations and flawed page design. Papa’s claim that America’s streets are made of gold carries the family over from the (unspecified, but European) old country to the big city. Mama’s steady optimism takes over when his enthusiasm wears down, and it’s the eldest daughter who spots the discarded bottles and other rubbish in the snowy street that, industriously collected, sorted and sold, sparks the slow but steady growth of a successful business. That rubbish looks brand new in the art, though, as does the spacious urban setting, the tidy interiors and the clothing on the shiny-faced protagonists. Along with providing little sense of what immigrant neighborhoods actually looked like in the 20th-century’s early years and giving no visual clue of the family’s poverty, the illustrations don’t always leave space for the daughter’s narrative—which on one page [the penultimate spread], at least, is almost drowned by the busy background. Too bad: The story is an important American one that merits every iteration it receives. (Picture book. 6-8)

Pub Date: Oct. 1, 2007

ISBN: 978-1-58536-315-5

Page Count: 40

Publisher: Sleeping Bear Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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THE WORLD NEEDS MORE PURPLE PEOPLE

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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THE CIRCLES ALL AROUND US

Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium.

How and why a symbol of exclusion can be transformed into just the opposite.

The circle is depicted literally in the illustrations but regarded as metaphorical in the unpolished if earnest rhyme. It begins as a mark “on the ground [drawn] along each shoe” (and then, according to the picture, around toes and heels) as “a safe little place for just one person.” But that makes no more sense that a library with “just one book”—and so it should be expanded to include family, friends, and ultimately the whole world: “In the circles all around us / everywhere that we all go / there’s a difference we can make / and a love we can all show.” Expanding on the Instagram video from which this is spun, the simply drawn art shows one button-eyed, pale-skinned child with a piece of chalk drawing and redrawing an increasingly large circle that first lets in a sibling and their interracial parents, then relatives (including another interracial couple), then larger groups (diverse in age and skin tone, including one child in a wheelchair and one wearing a hijab). In subsequent views figures mix and match in various combinations with interlocking circles of their own while waving personal flags here (“I only like SPORTS!”; “I’m Team CAKE!”) and sharing doughnuts there until a closing invitation to regard “wonder-eyed” our beaming, encircled planet. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 75% of actual size.)

Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium. (Picture book. 6-8)

Pub Date: May 11, 2021

ISBN: 978-0-593-32318-2

Page Count: 32

Publisher: Dial Books

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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