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JUNK MAN’S DAUGHTER

Levitin’s tale of a hardworking immigrant family pulling itself up to prosperity through hard times is inspiring, if hobbled by bland illustrations and flawed page design. Papa’s claim that America’s streets are made of gold carries the family over from the (unspecified, but European) old country to the big city. Mama’s steady optimism takes over when his enthusiasm wears down, and it’s the eldest daughter who spots the discarded bottles and other rubbish in the snowy street that, industriously collected, sorted and sold, sparks the slow but steady growth of a successful business. That rubbish looks brand new in the art, though, as does the spacious urban setting, the tidy interiors and the clothing on the shiny-faced protagonists. Along with providing little sense of what immigrant neighborhoods actually looked like in the 20th-century’s early years and giving no visual clue of the family’s poverty, the illustrations don’t always leave space for the daughter’s narrative—which on one page [the penultimate spread], at least, is almost drowned by the busy background. Too bad: The story is an important American one that merits every iteration it receives. (Picture book. 6-8)

Pub Date: Oct. 1, 2007

ISBN: 978-1-58536-315-5

Page Count: 40

Publisher: Sleeping Bear Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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THE CIRCLES ALL AROUND US

Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium.

How and why a symbol of exclusion can be transformed into just the opposite.

The circle is depicted literally in the illustrations but regarded as metaphorical in the unpolished if earnest rhyme. It begins as a mark “on the ground [drawn] along each shoe” (and then, according to the picture, around toes and heels) as “a safe little place for just one person.” But that makes no more sense that a library with “just one book”—and so it should be expanded to include family, friends, and ultimately the whole world: “In the circles all around us / everywhere that we all go / there’s a difference we can make / and a love we can all show.” Expanding on the Instagram video from which this is spun, the simply drawn art shows one button-eyed, pale-skinned child with a piece of chalk drawing and redrawing an increasingly large circle that first lets in a sibling and their interracial parents, then relatives (including another interracial couple), then larger groups (diverse in age and skin tone, including one child in a wheelchair and one wearing a hijab). In subsequent views figures mix and match in various combinations with interlocking circles of their own while waving personal flags here (“I only like SPORTS!”; “I’m Team CAKE!”) and sharing doughnuts there until a closing invitation to regard “wonder-eyed” our beaming, encircled planet. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 75% of actual size.)

Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium. (Picture book. 6-8)

Pub Date: May 11, 2021

ISBN: 978-0-593-32318-2

Page Count: 32

Publisher: Dial Books

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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NO MATTER WHAT

Small, a very little fox, needs some reassurance from Large in the unconditional love department. If he is grim and grumpy, will he still be loved? “ ‘Oh, Small,’ said Large, ‘grumpy or not, I’ll always love you, no matter what.’ “ So it goes, in a gentle rhyme, as Large parries any number of questions that for Small are very telling. What if he were to turn into a young bear, or squishy bug, or alligator? Would a mother want to hug and hold these fearsome animals? Yes, yes, answers Large. “But does love wear out? Does it break or bend? Can you fix it or patch it? Does it mend?” There is comfort in Gliori’s pages, but it is a result of repetition and not the imagery; this is a quick fix, not an enduring one, but it eases Small’s fears and may well do the same for children. (Picture book. 2-6)

Pub Date: Oct. 1, 1999

ISBN: 0-15-202061-6

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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