An often engaging coming-of-age story of heartbreak, bravery, honor, and triumph.
A peek into the tumultuous beginnings of one of America’s Founding Fathers.
This work of historical fiction follows Alexander Hamilton from the age of 11 in St. Eustatius on the northern tip of the Caribbean’s Leeward Islands and narrates the story of his early life before coming to Colonial America. With his mother’s dream that he eventually go to college firmly in mind, Alex navigates challenging moments of his youth, including the loss of both his parents and a daring rescue mission to free his enslaved friend, Ajax, from a brutal man. There are moments when Schiller’s prose reads a bit like a textbook, but she brings history to life in her dynamic dialogue; one such moment comes early in the story, when Alex is scolded by a tough but caring teacher who sets him on a course that will guide him through his younger years and lay a firm foundation for his adulthood. Counseling him to learn bookkeeping and read Plutarch, she says, “Alex, ’tis true you have a fine mind, possibly even a great mind. But you’re far too impulsive for your own good. You must learn to control your temper.” It’s scenes such as this, in which readers glimpse the emotional life and development of a future statesman, that make the book feel worthy. The entirely fictional story of Alex rescuing Ajax comes close to the pitfalls of a White savior narrative, but Schiller work to avoid them by treating the friendship between the two characters with respect, showing each growing and learning as a result of knowing the other. At times, the transitions between chapters feel awkward, but at others—as when Alex witnesses his first auction of enslaved people and then returns home to a joyous dinner—offer rich juxtapositions and foreshadowing.
An often engaging coming-of-age story of heartbreak, bravery, honor, and triumph.Pub Date: May 26, 2020
ISBN: 978-0-578-70181-3
Page Count: 213
Publisher: Tradewinds Publishing
Review Posted Online: Sept. 22, 2021
Review Program: Kirkus Indie
BOOK REVIEW
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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