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THE CAT WHO SAVED BOOKS

Cats, books, young love, and adventure: catnip for a variety of readers!

A young Japanese bookseller sets out to rescue books in peril—with the help of a most unusual feline.

After the death of his beloved guardian and grandfather, high school student Rintaro Natsuki drifts into running his grandfather's rare bookshop while waiting to be sent to live with an aunt he doesn't know. Rintaro is a hikikomari—socially withdrawn and isolated from most activities—and finds comfort and meaning in the books so precious to his plainspoken and well-meaning grandfather. His quiet, solitary life is disrupted when, in a bolt of magical realism, a talking tabby cat named Tiger enlists his help in rescuing "books that have been imprisoned." Some of the victimized books are locked away from readers by collectors, others are mutilated by abridgment and summarization, and more are treated as commodities by publishing conglomerates. Rintaro undertakes the challenges assisted by the saucy cat few humans can see, and his quests resemble the tests posed to heroes in myth, legend, and video game. His growing awareness of the attentions of persistently positive schoolmate Sayo lends the tale a gentle wholesomeness. Rescuing the story from sappiness are references to the classic books on the store's shelves, mostly from the Western canon, that have formed Rintaro’s belief system. Lovers of traditional literature and books themselves will find validation in the lessons Rintaro learns (and teaches), while the story’s structure and fanciful nature may hold appeal for a young adult audience more familiar with the conventions of gaming. Tiger gets the best lines of dialogue but…why not?

Cats, books, young love, and adventure: catnip for a variety of readers!

Pub Date: Dec. 7, 2021

ISBN: 978-0-06-309572-4

Page Count: 208

Publisher: HarperVia

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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VIGIL

Saunders has crafted a novel that feels deeply resonant, especially in these fractious times.

Saunders’ second novel represents a magnificent expansion of consciousness.

Unfolding over the course of a single evening, as oil baron K.J. Boone lies on his deathbed, the narrative develops almost entirely in the interior, while encompassing a dizzying exteriority as well. At its center are two characters, one deceased and the other soon to be. The latter, of course, is Boone, a man with much to answer for, although he doesn’t believe that. The other is Jill “Doll” Blaine, the narrator, who died young and has returned to earth from the spirit realm—as she has 343 times since her own demise—to help him make the crossing. If such concerns appear to recall those of the author’s first novel, Lincoln in the Bardo (2017), that both is and isn’t the case. Yes, as the book progresses, it ranges widely, with a variety of ghosts and spirits emerging to comment on or participate in Boone’s final reckoning. At the same time, it’s a sparer work than its predecessor. This has to do with Jill, who moves from memories of her life to engagement with Boone. Always, she reveals empathy and insight, even as his final hours become a dark night of the soul. “No: this, this now, was me,” she tells us: “vast, unlimited in the range and delicacy of my voice, unrestrained in love, rapid in apprehension, skillful in motion, capable, equally, of traversing, within a few seconds’ time, a mile or ten thousand miles.” What she (or, through her, Saunders) is suggesting is the need for generosity, despite, or perhaps because of, Boone’s corrupted soul, which has been riven by a lifetime wallowing in many of the deadly sins, particularly pride and greed. Such openness has long been a hallmark of Saunders’ fiction, and it’s on full display in this elegant and subtle book. “At such moments,” Jill reflects, “I especially cherished my task. I could comfort.”

Saunders has crafted a novel that feels deeply resonant, especially in these fractious times.

Pub Date: Jan. 27, 2026

ISBN: 9780525509622

Page Count: 192

Publisher: Random House

Review Posted Online: Oct. 9, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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