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THE BOY WHO ASKED WHY

THE STORY OF BHIMRAO AMBEDKAR

(Picture book/biography. 5-10)

This Indian import traces the life and work of the social reformer Bhimrao “Bhim” Ambedkar as he fought for the rights of lower-caste people in the late 19th and early 20th centuries.

Even as a child, Bhim is aware that the world he lives in is “like a ladder” and that he (like the other people in his caste) occupies the lowest rung. Bhim is considered an “Untouchable”; this means that they cannot eat with people from higher castes, drink from the same wells, swim in the same ponds, or even be touched. Despite the numerous obstacles placed in his path, Bhim studies hard and wins a scholarship to a school in the United States. He also studies law in London and, upon his return, fights for the basic human rights of his people. The picture book concludes with a timeline of Ambedkar’s life and a brief explanation of caste, which clarifies that “practicing untouchability is illegal” and that those formerly called Untouchables are today called Dalits. Gade’s brushy watercolors brim with energy and even humor. Rajendran’s text and Gade’s depiction of culturally familiar images, however, seem aimed primarily at an Indian audience living in India, and North American audiences unfamiliar with the context will need some help. They may also be struck at the strong implication that social inequalities exist only in India.

(Picture book/biography. 5-10)

Pub Date: April 14, 2018

ISBN: 978-0-9995476-0-1

Page Count: 40

Publisher: Kitaabworld

Review Posted Online: May 13, 2018

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MY ILLUSTRATED ENCYCLOPEDIA

While the illustrations are often flawed and feel outdated, their overall boldness and simplicity make for a nice book of...

French illustrator Grée’s colorful and iconic images are put front and center alongside facts on nature, animals, transportation, and space in this encyclopedia for young readers.

This book walks through a young child’s world from the basics of plants, foods, and animals to human-made homes and modes of transportation. The illustrations are the focus, with bold, themed double-page spreads and colorful, lifelike images. Some pages are so picture-focused that they include next to no text, while others—such as the two pages on animal skills and survival—strike a nice balance of image and description. There are some useful diagrams, e.g., those that outline the life cycle of a butterfly and where gasoline comes from. By contrast, there are some that confuse, such as a cross section of a house that has a detailed bathroom with no toilet and is missing the accouterments of a 21st-century home (it’s got a TV antenna!). While for the most part people are inclusively illustrated, one spread of watercraft draws heavily and cringeworthily on stereotype in its depictions of Indigenous people paddling, respectively, a canoe, a kayak, and a raft. While this is a nice book of labeled pictures, an “encyclopedia” it is not, often raising more questions than it answers: What’s a queen ant or a hydroelectric power station? The index cross-references some items but not all.

While the illustrations are often flawed and feel outdated, their overall boldness and simplicity make for a nice book of pictures—but not a meaningful or useful encyclopedia. (Nonfiction. 6-8)

Pub Date: April 3, 2018

ISBN: 978-1-908985-97-2

Page Count: 80

Publisher: Button Books

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE WALKABOUT ORCHESTRA

POSTCARDS FROM AROUND THE WORLD

Fun for fans of this type of puzzle, but there are better ways to learn about the instruments of the orchestra and the world.

Orchestra members have scattered all over the world in this seek-and-find book: to a French campground, an Icelandic fishing village, a soccer field in Abidjan, the Egyptian pyramids, Mardi Gras in New Orleans, and elsewhere.

The maestro and his assistant set out to find them, based on postcards sent by the musicians. Each is superimposed on the corner of a dizzyingly busy double-page spread depicting the locale. There’s also a small yellow bird in most spreads that is seeking something, giving readers extra reasons to scan the people, sights, houses, shops, signs (in different languages), sporting activities, means of transportation, local flora and fauna. The musicians (there is some diversity in the group) are shown at the beginning, and noting their clothing and instruments will aid in the search. They finally appear in a generic concert hall that’s filled with people and animals (an Egyptian camel sits complacently in the audience) from the previous pages. The illustrations are lively and filled with funny details, but, rendered in colorful saturated inks and retouched digitally, their soft contours make searching a real challenge. (An answer key will help readers whose eyes have glazed over.) More importantly, there is little to no attempt to contextualize the information, so it is at best a glancing tour.

Fun for fans of this type of puzzle, but there are better ways to learn about the instruments of the orchestra and the world. (Picture book. 5-8)

Pub Date: March 1, 2018

ISBN: 978-1-78603-079-5

Page Count: 32

Publisher: Wide Eyed Editions

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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