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THE ZEBRA STORYTELLER

COLLECTED STORIES

The fertile imagination of fable-fabricator Holst (The Language of Cats, 1971, etc.) appears in all its glory in his latest collection of 64 far-fetched stories and fragments, 18 of which are making their publishing debut. Juggling mind-bending juxtapositions in his eclectic view of the world, Holst often rearranges familiar scenes or institutions into terra incognita, but leaves enough of the old in place to serve as an unsettling reminder of how easily the known becomes strange. Cats and their inscrutable ways are a favorite subject, as Sherlock Holmes and Watson take on human guise at will and use their furry logic (``Adventure of the Giant Rat of Sumatra'') to solve a brutal killing of a fellow feline, while ``The Cat Who Owned an Apartment'' discovers that patience, and a quick pounce, can bring unexpected but richly deserved rewards. New York City and other jungles of the world are used to good effect, with a mound of garbage proving the death of a family that inadvertently threw its life savings out in the trash (``Finders Keepers''); but Africa is no more hospitable to a legendary jazz drummer, who leaves fame behind to search for a tribe of drummers only to find his death when he recalls his past at an inopportune moment (``Tom-Tom''). The most sustained (though incomplete) saga here, ``The Institute for the Foul Ball,'' features a bold new look at baseball, with a visionary young superstar proposing—at a time when club owners are keen to bolster sagging profits—a paradigm shift that would allow a batter only one strike. Whimsical but with a full complement of death and decay: a selection of primordial melodies and fantastic Çtudes played with a master's touch.

Pub Date: Aug. 25, 1993

ISBN: 0-88268-143-5

Page Count: 272

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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EIGHT HUNDRED GRAPES

A lovelorn winemaker’s daughter seeks the right way to crush sour grapes into a winning blend.

Days before her wedding, Georgia’s relationship breaks down. But when she tries to escape home to wine country, she discovers nearly as many fissures in her family.

In the navel-gazing microcosm of California, worlds don’t get much more different than Los Angeles and Sonoma: the former rich in artificial vice, the latter in cultivated flavor. Dave, a seasoned writer of literary romance (The First Husband, 2011, etc.), explores this divide through the eyes of Georgia Ford, a 30-year-old LA–based corporate lawyer on the cusp of marrying her dream guy, Ben. He’s a devastating British architect, of course—rom-coms breed such fellows on a Burberry island somewhere—and his long-ago fling with an equally devastating movie star resulted in a 4-year-old daughter he's just learned about. Cue the devastation for Georgia, who flees up the coast in wedding garb after spying the seemingly happy family walk by during her final dress fitting. Destination: The Last Straw, the idyllic family vineyard in Sebastopol where she grew up with handsome twin brothers and crazy-in-love parents. Unfortunately, the clarity Georgia hopes to find there is quickly marred by everyone else’s problems. Her parents’ marriage is faltering; her feisty brothers are warring over a woman; and, in the deepest cut of all, her dad plans to sell the vineyard that’s always anchored them. As Georgia weighs her ambivalence about Ben, she struggles to understand the parade of relationships blooming and busting around her. Through a series of flashbacks that range from canny to cloying, we learn how the Ford family has reached this collective crisis point. Resolutions arrive slowly and often unexpectedly for each of them, giving this satisfying novel legs.

A lovelorn winemaker’s daughter seeks the right way to crush sour grapes into a winning blend.

Pub Date: June 2, 2015

ISBN: 978-1-4767-8925-5

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: March 18, 2015

Kirkus Reviews Issue: April 1, 2015

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THE PALACE THIEF

STORIES

Canin's return to short fiction should be a cause for welcome- -yet isn't, disappointingly. In four adipose, rhetorical, quite forced long stories, he continues—as in his unfortunate last book, the novel Blue River (1991)—to strive for ``wise'' adult tonalities. But these rich, deep voices all but neglect the small flashes of humaneness and helpless knowledge that made Canin's debut collection, Emperor of the Air (1988), remarkable—turning him into a writer who builds high, fussy, false ceilings without walls to support them. Upon an unstartling theme—that we repeat as adults what we do as children- -each story here plays out a variation. In the baldest, the title piece, a powerful captain of industry still is moved to impress his elderly prep-school teacher with his temerity and moral sleaze. In ``Accountant,'' an old friend's later-life success throws a careful man to the edge of his rectitude. In ``City of Broken Hearts,'' a middle-aged father learns something about trust and love from his college-aged son. And in ``Batorsag and Szerelem,'' a boy observes in his elder genius brother what seem like signs of schizophrenia but are instead sexual misapprehensions. It's here that the book is most ragged but also most genuine-seeming: the younger boy has available to him an X-raying psychology no grown-up character in Canin ever does (Canin must be the ultimate ``kid-brother'' writer)—and it's frustrating that this quicksilver perceptiveness is given so little play in the stories, which are bulked-up instead with grown-up characters that are invariably slow, large, and overwide. The stories thus always seem to be wearing their parent's clothes—an effect that reaches into the prose itself, a simulacrum of Cheeverian and Peter Tayloresque modulation that in Canin's hands is just pomp and circumstance.

Pub Date: Feb. 1, 1994

ISBN: 0-679-41962-4

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1993

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