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CAMP ROLLING HILLS

From the Camp Rolling Hills series , Vol. 1

The author’s love for camp shines through, and although this novel will likely have a narrow appeal, it’s a strong choice...

An anxious boy and a grieving girl on the cusp of adolescence find nascent love at Camp Rolling Hills, a summer camp steeped in its own mythology and culture.

The book features the two worst nicknames for protagonists in recent memory. Slimey, age 12, has been going to Camp Rolling Hills since she was a little girl, but it’s Smelly’s first summer. Smelly, who suffers from anxiety and gains confidence over the course of the novel, is there because his parents need time to work out their marriage difficulties. Slimey, who works hard to hide her pain, is still heartbroken over the death of her father. This slice-of-summer novel is overpopulated, with six characters in the boys’ bunk and six in the girls’ plus two counselors, and readers may have trouble keeping track of who’s who. With all these characters, it’s a shame it’s not more obviously diverse, with one Yiddish-spouting Asian boy and another with an Afro (but white skin in the thumbnail guide to the characters in the frontmatter). It’s told from alternating third-person perspectives, Slimey’s and Smelly’s, augmented by funnily realistic letters home from other campers. The book celebrates summer camp as a safe place for children to reinvent themselves, to experiment and be more daring than they might otherwise be.

The author’s love for camp shines through, and although this novel will likely have a narrow appeal, it’s a strong choice for first-time campers and for those who find camp and its rituals delightful. (Fiction. 8-12)

Pub Date: May 10, 2016

ISBN: 978-1-4197-1885-4

Page Count: 240

Publisher: Amulet/Abrams

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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