Perfect for balancing the commercialism of Valentine’s Day.
After tackling Beautiful (2016) and Brave (2017), McAnulty and Lew-Vriethoff present readers with all things love.
Though some may disagree with the precise things McAnulty says go with love (“Love needs special presents. // And designer greeting cards”), none can argue with the sentiment, as even those lines are illustrated sweetly. Presents include a flower wreath for a hairless child in a hospital bed, a book shared from a child’s overflowing wagon, cookies offered to an elderly woman, a picture for a teacher, and illustrating the “designer greeting card” is a child laboring over some artwork. Indeed, the message that comes through loudest of all is that love is simple and can be symbolized by the smallest things: a bouquet of wildflowers, a single chocolate chip, a message drawn in the sand or on a cast or on a frosty window. Best of all, love is time spent with those you love, whether they be friends, community members, family, or pets. Lew-Vriethoff excels with an effortless-seeming portrayal of diversity in her colorful illustrations. The characters have skin of every shade, there are people in wheelchairs and wearing glasses, and readers can spy both interracial families and ethnic, cultural, and religious markers.
Perfect for balancing the commercialism of Valentine’s Day. (Picture book. 3-8)Pub Date: Dec. 4, 2018
ISBN: 978-0-7624-6212-4
Page Count: 32
Publisher: Running Press
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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