An absorbing, frequently poignant narrative about the heroes of CBS radio news, the men and women who set the standards for broadcast journalism during WW II, and about what happened to the heroes, and the standards, in the years that followed. Although there were great journalists in WW II besides those surrounding Edward R. Murrow, those who were hired and nurtured by Murrow to broadcast the war for CBS radio—Eric Sevareid, Larry LeSueur, William L. Shirer, Charles Collingwood, and Howard K. Smith, among others—have always shared a special mystique. As the husband-and-wife team of Cloud (former Washington bureau chief for Time) and Olson (former Moscow correspondent for Associated Press) explain, radio news was still in its infancy, and Murrow's live war coverage was the first time the medium's dramatic potential was realized. The authors show that these new radio journalists played an important role in shaping American public opinion about the war: Despite the emphasis by CBS bureaucrats on ``objectivity,'' the Murrow group engaged in more than a simple presentation of facts, ranging from the overt editorializing of Sevareid's eloquent broadcasts from London during the blitz to Shirer's masterful use of irony and insinuation from Berlin. They had to contend constantly with attempts at censorship. Despite their travails, the Murrow Boys enjoyed commercial success: Some wrote well-received books (Shirer's Berlin Diary, Smith's Last Train From Berlin), and some became celebrities in their own right, a portent of the media stars of later years. This success, and the journalists' identification with corporate interests, though, were to have a corrosive effect, as the authors demonstrate: Decades after the war, the traditions of Murrow had faded, replaced by sensationalist and commercialized journalism that lacked either the drama or the intellectual content of CBS radio's brilliant wartime coverage. A nicely told look back at what was, and a glimpse of what might have been, in the field of broadcast journalism.
Pub Date: May 6, 1996
ISBN: 0-395-68084-0
Page Count: 448
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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