An entertaining, instructive look into how words make their way into the dictionary.
A romp in the land of lexicography.
Journalist Fatsis, author of the kindred book Word Freak, talked his way into the headquarters of Merriam-Webster in Springfield, Massachusetts, after learning that “the company was overhauling its foundational book, Webster’s Third New International Dictionary of the English Language, Unabridged.” The last major revision had occurred decades earlier, in 1961, totaling some 465,000 words—and, given that speakers of the English language were coining words (“Doomscrolling one year, cheugy another, rizz the next”) far faster than the dictionary could keep up with, there was plenty to do. Yet, as Fatsis chronicles, Merriam-Webster was the last dictionary standing: Its competitors had folded their tents, and though alone in the field, even Merriam-Webster was forced to lay off employees as Google and Wikipedia became go-to sources for information, albeit at far lower quality. Fatsis writes engagingly of lexicographic heroes such as Madeline Kripke, who amassed perhaps the finest language library in the world but died of Covid-19 before that new word could be added. He gamely wades into linguistic controversies, one being the inclusion of the “n-word,” which occasioned a boycott in the late 1990s and a sage but unpersuasive reply from the publisher that “to remove the word from the dictionary would simply mislead people by creating the false impression that racial slurs are no longer part of our culture, and that, tragically, is not the case.” And Fatsis, who crafted 90 definitions for M-W (alt-right, burkini, microaggression), and who begins his book by wondering whether human editors are on the way out in favor of artificial intelligence, reckons that AI is “good at some things, bad at others, and, as of the publication of this book’s first edition in late 2025, not a threat to completely upend the last gladiators of commercial lexicography.”
An entertaining, instructive look into how words make their way into the dictionary.Pub Date: Oct. 7, 2025
ISBN: 9780802165824
Page Count: 416
Publisher: Grove
Review Posted Online: June 28, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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