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THE REVOLUTIONARY GENIUS OF PLANTS

A NEW UNDERSTANDING OF PLANT INTELLIGENCE AND BEHAVIOR

A pleasantly persuasive argument that plants are no less fascinating than animals.

An entertaining introduction to the wonderful world of plants, which “exhibit unmistakable attributes of intelligence.”

Although lacking a brain and immobile, plants are smart, flexible, durable, and innovative, writes Mancuso (Plant Neurobiology/Univ. of Florence; Measuring Roots: An Updated Approach, 2011, etc.) in this lively, enthusiastic, expert, and convincing overview. Animals move fast and possess highly efficient specialized organs—heart, lungs, brain—but, according to the author, these are overrated. “We have discovered that plants breathe with their whole body, feel with their whole body, and evaluate with their whole body. Spreading each function over the entire organism as much as possible is the only way to survive predation, and plants do it so well that they can even withstand removal of much of their body without losing functionality.” A sheep can survive the loss of its hair but not its heart or kidneys; losing its legs would likely be fatal, yet we mow our lawns and prune our trees without a thought. Sixty percent of the calories humans consume come from wheat, corn, and rice. We believe that we have domesticated plants, but Mancuso suggests that they have domesticated us. Even our concept of an “individual” makes little sense when applied to plants, whose reiterated architectural units resemble a colony. Splitting a plant often produces two plants, but no one would think of doing that to an animal. Mancuso has not written a popular textbook on botany but rather a series of unconnected portraits (both textual and visual) of often amazingly wacky plants and their behavior, accompanied by essays on the equally impressive ways in which they deal with their environment (some have eyes, and they display a “clear capacity of memory”), defend themselves, and flourish despite being stuck in one place.

A pleasantly persuasive argument that plants are no less fascinating than animals.

Pub Date: Aug. 28, 2018

ISBN: 978-1-5011-8785-8

Page Count: 256

Publisher: Atria

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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PILGRIM AT TINKER CREEK

This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.

Pub Date: March 13, 1974

ISBN: 0061233323

Page Count: -

Publisher: Harper's Magazine Press

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: March 1, 1974

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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