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TURN AND DIE

Lacey serves each client, rich or poor, with grace and persistence, never losing her nerve, her sense of irony or her...

Months after a near-fatal accident, private detective Jordan Lacey (Ring and Die, 2005, etc.) goes back to work, knowing too well that time may not heal all wounds.

Her nose is reset, her eyebrows have grown back, but Jordan Lacey still can’t feel lucky about surviving a freak accident in Medieval Hall, the pub where she and DI James were having a drink when a suit of armor came crashing down—not as long as James is in a hospital bed with a bone fragment in his spine paralyzing his beautiful body from the neck down. Still, Jordan has to eat, though her friend Mavis supplies her with all her favorites from Maeve’s Café and Miguel tempts her with delicacies from his Mexican restaurant. So she takes on two clients who couldn’t be further apart on the social spectrum. Arthur Spiddock hasn’t much in life but his vegetable garden on Topham Hill, his dog Nutty and some hens and rabbits that someone’s gone and stolen. Holly Broughton has a mansion, a Thai maid and a rich husband she’s recently been acquitted of trying to kill. But someone evidently doesn’t want Jordan to succeed, and if drugging her and bombing her don’t work, the killer may be desperate enough to do something dangerous.

Lacey serves each client, rich or poor, with grace and persistence, never losing her nerve, her sense of irony or her passion for James.

Pub Date: June 1, 2007

ISBN: 978-0-7278-6496-3

Page Count: 224

Publisher: Severn House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2007

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A BITTER FEAST

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.

Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-227166-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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JUST ONE LOOK

Tepid terrors along the way to a mildly surprising end.

Suburban thriller from the prolific Coben (No Second Chance, 2002, etc.), about a perfect husband who disappears when a photo from the past shows up in the latest batch from the photomat.

Perfectly in love since their romantic meeting in France 15 years earlier, Jack and Grace Lawson are living the suburban dream: Windstar, Saab, daughter, son. He makes lots of money, she makes lots of art. There is a teeny flaw. Grace limps. It’s the scar she bears from the trauma she endured before the trip to France. There was this rock concert. Shots were fired. Panic. Deaths. Heroism. Cowardice. Badly mangled Grace made it out of a coma with a week or two of memory gone and a healthy dislike of big crowds. Suddenly the superperfect life she has built from the ruins has gone off the rails. Tucked in among a set of newly developed photos is a snap taken sometime in the ’80s. It shows a group of young people, possibly hip for the decade, and one of the lads, while hairier and callower, is clearly Jack. The insertion could only have been at the hands of the slacker in the Kodak kiosk, but he’s disappeared. And, upon viewing the photo, so has Jack, leaving Grace to ask that old reliable story-starting question: “Just who is this man I thought I knew?” Answers must be found quickly, for handsome Jack has been captured by a cold-blooded, sadistic, Korean killer and lies senseless in the boot of the stolen family minivan. Detective assistance comes from a rogue District Attorney, a wacky girlfriend, a lovelorn neighbor, a tough Jewish cop with a hole in his heart where his wife used to be, a shadowy, powerful mob guy whose son died at the rock concert, and possibly from Jimmy X, the rocker whose concert seems to have started the present subdivisional mayhem all those years ago.

Tepid terrors along the way to a mildly surprising end.

Pub Date: May 1, 2004

ISBN: 0-525-94791-4

Page Count: 384

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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