A fresh, funny adventure and the best installment in the series so far.
In the third book of the middle-grade Chelldrah-Ham series, von Clinkerhoffen (The Hidden City of Chelldrah-ham: War of Chaos, 2015, etc.) brings its protagonists to a different world: Earth.
After following the evil human Anet through a rift to her home planet, Stig and Meg (aliens known as Manna) are astonished by their new surroundings. Earth is populated by giants who talk into mysterious black boxes, drive “strange enclosed carts,” and arm themselves with “fire sticks.” Although the two Manna are invisible to most humans, it’s not long before they find themselves hunted by “smelly copters” in the sky and police officers on land. As they try to shake their pursuers, they steal from a bar, scare people in a church, and accidentally wreak havoc on the English countryside in misadventures that include vehicular crashes and explosions. In between, they follow a series of obscure clues leading to an ancient, golden temple underground, which guards the entrance to their homeworld. With the help of allies, both human and Manna, they try to defeat Anet before she unleashes an army of mutant creatures on the Manna and plunders their city’s gold. Nothing breathes new life into a series like a change in setting, and von Clinkerhoffen plays up the dramatic irony of the two Manna viewing the human world from the outside, with frequently humorous results. For instance, Stig and Meg refer to television as “ohnomorerepeats,” having heard humans use that phrase repeatedly. By now, the author’s habit of italicizing sound effects is no longer distracting; instead, the clunks and whirs merely draw attention to Stig’s mechanical obsession. As in the previous books, the Manna encounter various vehicles and machinery, and von Clinkerhoffen discusses in depth how they work, which some young readers might find tedious. Aspiring mechanics or engineers, though, will enjoy solving problems right along with Stig.
A fresh, funny adventure and the best installment in the series so far.Pub Date: Jan. 24, 2017
ISBN: 978-1-5395-1542-5
Page Count: 256
Publisher: CreateSpace
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 15, 2017
Review Program: Kirkus Indie
Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell.
Targeted in a wicked scheme, five resourceful kids flee their orphanage in 1892 Amsterdam.
Each longs to be adopted, but would-be parents reject them when they see the kids’ atypical attributes: Lotta’s 12 fingers, Egg’s East Asian ancestry (other characters default to white), Fenna’s muteness, clumsy Sem’s ears, and Milou’s wild ferocity. That is, until sinister Meneer Rotman sees their remarkable gifts—but Milou’s special sense warns her that Rotman’s evil. Indeed: They discover he intends to buy them as slave labor to crew his ship. Milou, who keeps a Book of Theories regarding why her birth family hasn’t claimed her, persuades them to escape to the puppet-making Poppenmaker family she’s sure she belongs to. Loyal if not convinced, the others join her. Lotta’s math and Egg’s cartographic acumen help them follow coordinates on Milou’s mysterious timepiece to the Poppenmakers’ windmill home and puppet theater, now abandoned. Thanks to Lotta’s technical ingenuity, Egg’s artistry, Fenna’s culinary prowess, and Sem’s needlework—assisted by clockmaker and dike warden Edda Finkelstein—it’s almost home. Then Milou forgets the other orphans have family longings, and the orphans discover Rotman has not forgotten them….While the vivid, Dickensian setting—grim orphanage, icy mists, and shadowy dockyards—and quaint clockwork creations and life-size puppets spin a web of Gothic creepiness, the bonds among this found family of lively orphans add plenty of warmth and light.
Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell. (Fantasy. 8-12)Pub Date: June 2, 2020
ISBN: 978-0-593-11693-7
Page Count: 384
Publisher: Viking
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
Doesn’t go beyond face value.
Twelve-year-old Zailey is curious about the world outside her town.
At a very young age, Zailey moved with her grandmother to Gladder Hill, an experimental community that demonizes the Superficial: Children are told tales about the mirror demon, words relating to physical appearance are banned, and authorities go to extreme lengths to keep all reflective surfaces out, even pumping oxygen into the water to keep it cloudy. As an artist with an eidetic memory and a fascination with drawing faces, Zailey feels guilt over her secret sketchbook of portraits and fears it could get her and her grandmother evicted. When a classmate discovers it and confesses that he too wonders what his face looks like, they bond over their shared curiosity about the rest of the world. The first half of the book plods along, slowly showing life in the community. In the second act, an accident gives Zailey a chance to escape and chase after a personal mystery of her own. On one hand, the second story arc is far more compelling, with greater tension. However, it’s built upon distracting implausibilities. Regrettably, the body image themes go underexplored and are never fully integrated into the plot. The conclusion relies on a deus ex machina that undermines the stakes. The town’s rules create a race-blind default (Zailey and her classmates don’t appear to know about the concept of race, although they notice one another’s physical differences).
Doesn’t go beyond face value. (author’s note, resources) (Speculative fiction. 9-14)Pub Date: Feb. 21, 2023
ISBN: 978-1-4926-5535-0
Page Count: 304
Publisher: Sourcebooks Young Readers
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
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