Satire meets mystery in this entertaining update of Hitchcock and Agatha Christie.
When a passenger seems to disappear during a surreal train journey to Quebec, a group of strangers comes together to work out what happened in Barbé Hammer’s mystery.
Worlds collide in this novel set aboard a train headed across the United States to Quebec, bound for the titular city. Mack, a teacher-in-training and bagpipe musician of mixed Scottish/Salvadoran heritage, is on his way to a piping convention when he meets Allison, a no-nonsense goth girl who has twisted her ankle while on the train. While the two seem immediately at odds (Allison’s brusque personality rubs Mack the wrong way; he asks Allison if she fell “out of [her] black leather post-punk stroller” as a child), when Allison reports that the elderly man she befriended on board has vanished, Mack agrees to help her find him. They encounter a sweep of eclectic characters, including Jimmy, an Evangelical rodeo star; Joe, a former congressman and actor / Afghanistan vet / Princeton graduate; and a Chinese social media influencer documenting her trip across the United States. “We have not seen any guns” comically notes the culture-shocked influencer, who goes by May-Bel, in one of her vlogs. Despite Allison’s and Mack’s efforts, which include enlisting the help of the congressman and May-Bel, no one seems to be able to confirm that the old man even exists. Heavily referencing classic films and novels like Murder on the Orient Express and The Lady Vanishes, Barbé Hammer crafts a sly, satiric story that takes the tropes of a train-set whodunit and brings them into the 21st century, exploring themes of race and discrimination (one of the narrators is a Black female writer, who reflects on her position in society and in the narrative), psychology, and spirituality. While the characters’ introductions feel heavy-handed, and the author’s depictions of characters can be cliched—particularly in the case of the eye-liner-bedecked Allison—the author succeeds in delivering a fast-paced and deceptively complicated novel that balances suspense and social commentary. Some readers may find the novel’s quirks off-putting, but those who climb aboard will enjoy the winding journey.
Satire meets mystery in this entertaining update of Hitchcock and Agatha Christie.Pub Date: Oct. 2, 2023
ISBN: 9798985069037
Page Count: 226
Publisher: Picture Show Press
Review Posted Online: Oct. 16, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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