Both friendly and inspiring—just like its subject.
Young Carl Sagan looks endearingly like his grown-up self, with expressive dark eyebrows and a cheerful look of inquiry, in this warm account of the life of the notable scientist.
Sisson captures an important moment in young Sagan’s life. In a library, where he has been handed a book on stars, “Carl’s heart beat faster with every page he turned.” The next double-page spread offers a vertical orientation and a gatefold opening skyward, as if Carl himself were soaring into space. He imagines extraterrestrial life and space travel among the planets—and though he can’t wish himself to Mars, he finds a way to get there in spirit. The text sums this up with brevity: “He studied life and space and became… / …Dr. Carl Sagan.” Sisson’s economical narrative and lighthearted illustrations convey Sagan’s regard for the power of imagination and his generous approach to knowledge. She includes the accomplishments for which Sagan will be remembered: his passion for science and space discovery that he shared with the world through his television appearances and the creation and launching of space missions—in particular the Voyager probes, with their recordings of Earth sounds and sights. Abundant backmatter (oddly missing Sagan’s birth date) is compactly delivered in a two-page spread with a list of quotations and sources, a bibliography/resource list and an author’s note.
Both friendly and inspiring—just like its subject. (Picture book/biography. 4-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-59643-960-3
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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