A humdrum adventure that muddily tries to convey the notion that all of life’s students are also teachers.
The Applewhites take their untraditional, ramshackle educational show on the road.
In this third in the Applewhites saga, Jake Semple, cured of his rebel ways at their home-school ranch called Wit’s End, remains with the Applewhites. The entire brood embarks on a cross-country competition to prove their brand of experiential, self-driven learning is the best. If they win, there’s both money and reality TV fame to be had. E.D. and Jake’s first kiss hasn’t quite gone as expected, so when trouble arrives in the form of a gorgeous bad-girl named Melody Aiko Bernstein, Jake is struck dumb and E.D. is simmeringly jealous. Jake’s and E.D.’s thoughts are revealed in alternating, third-person–limited chapters, while the rest of the quirky cast play out their roles in the background. The Art Bus goes from assigned stop to assigned stop per the competition’s directive, amid myriad mishaps such as wayward crushes, stolen cars, embarrassing theater performances, minimakeovers, and cockroach infestations. Through sarcastic wit and sweet charm by turns, Melody manipulates the Applewhites, begging the question of everyone’s integrity. This road trip is long and, despite its jumble of events, often tedious. Jake and the Applewhites are white; diversity is mostly conveyed by naming convention, as with Melody’s Japanese middle name and yoga teacher/family cook Govindaswami’s Indian one.
A humdrum adventure that muddily tries to convey the notion that all of life’s students are also teachers. (Fiction. 8-13)Pub Date: Oct. 17, 2017
ISBN: 978-0-06-213320-5
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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