by Stephanie Saldaña ‧ RELEASE DATE: Sept. 12, 2023
Memorable personal stories that give much-needed depth and humanity to what are otherwise merely numbers.
A journalist and religion scholar who has traveled widely in the Middle East delivers poignant, humanizing stories of war refugees from Syria and Iraq.
In these stories, gleaned from travels in 2016 and 2017 in Iraq, Syria, Kurdistan, and Greece, Saldaña, the author of A Country Between and The Bread of Angels, uses the theme of what refugees in flight were able to carry with them—often only the clothes on their backs. On Aug. 6, 2014, the Islamic State group invaded an ancient Christian community in Qaraqosh, Iraq, and 44,000 Christians were forced to flee. In Amman, Jordan, where many relocated, the author met a woman named Hana, who described how she and the other women re-created their previous social world, in which the sewing of dresses was an important tradition. “So I learned that objects could speak or elicit a memory,” writes Saldaña. “And I learned that when the places you love begin to disappear, you begin to live in them all the time.” In Istanbul, she tracked down Hozan, a famous Kurdish buzuq player, and his musician friend Ferhad, both from al-Hasakeh, Syria, which was riven by that nation’s civil war. Saldaña also recounts the horrendous conditions in a refugee camp in Greece called Moria, which was designed for 2,300 people but, by 2017, housed more than 7,000. The author’s exploration of Moria is particularly heartbreaking, as she clearly portrays the awful plight of the refugees as well as the unwillingness of many Western countries to assist. Finally, Saldaña traveled to a convent in Germany where a group of Yazidi, “members of a small and highly persecuted religious minority from northern Iraq,” found shelter from the violence of IS. Throughout this compassionate book, the author demonstrates the resilience of refugees, who carry with them their precious languages, cultures, and memories.
Memorable personal stories that give much-needed depth and humanity to what are otherwise merely numbers.Pub Date: Sept. 12, 2023
ISBN: 9781506484211
Page Count: 272
Publisher: Broadleaf Books
Review Posted Online: June 15, 2023
Kirkus Reviews Issue: July 15, 2023
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
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New York Times Bestseller
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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