by Stephen Baker ‧ RELEASE DATE: May 20, 2014
Baker has written a true delight of a techno-thriller that has deep, dark roots in the present.
A novel about the technology that controls our lives accelerates into an exquisite thriller on the Mexican border.
The year is 2072. Technology has left the keyboard and is implanted in our brains; those who don't have the implants are “wild,” meaning natural thinkers. Baker has created a believable, not-too-distant world with the same issues we face but on a grander scale: People spend too much time in virtual reality; there's a proliferation of porn sites and a computing-power arms race. But here, it's all done seamlessly through “the boost” in people's heads; keyboards and screens are antiques. The ghost in the machine is surveillance—surprise! A scheduled software update will enable American workers to be as efficient as their Chinese counterparts; Ralf Alvare is tipped off about a gateway that will allow Varagon Inc. to snoop, collecting personal data from anyone’s head, for marketing and advertising purposes. He is caught trying to close the software gate, his implant is removed—rather, ripped from his head—and he's soon on the run to El Paso. He's now “wild,” which isn't a comfortable state of mind for this digital genius. Baker’s characters are memorable and wickedly fun. Ralf’s companion, Ellen, has been genetically enhanced as an Artremis—a stunningly beautiful, Amazon-like ball of fire. Don Paquito is an unassuming hero who prints the last remaining newspaper, the only outlet for uncensored truth. As Ralf and his brother Simon shimmy through a tunnel from El Paso to Ciudad Juárez, they enter a world where the boost is safe from surveillance and the largest population of “wild” people in the world lives in the past. From here, they make their stand against “the virtual as real.”
Baker has written a true delight of a techno-thriller that has deep, dark roots in the present.Pub Date: May 20, 2014
ISBN: 978-0-7653-3437-4
Page Count: 336
Publisher: Tor
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
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by Jonathan Bush with Stephen Baker
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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587
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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