Next book

THE JOKE'S ON YOU

HOW TO WRITE COMEDY

An overthought but sometimes-useful guide for would-be yuksters.

Hoover, a lawyer, college instructor and professional joke-writer, attempts to explain the art and science of comedy in this meticulous debut primer.

The author presents his encyclopedic knowledge of comedy to engaging effect. He covers various comedic formats and genres, including stand-up, skits, sitcoms and screenplays; reviews milestones of movie and television comedy; and celebrates the personalities and one-liners of such giants as Groucho Marx, Bill Cosby, Woody Allen and Carol Burnett. He also elaborates on comedy theory, citing Aristotle, Sigmund Freud, Mel Brooks and the creators of the 1980 movie Airplane! Hoover delves extensively into “joke structure,” asserting that the fundamental equation is “Incongruity + Surprise + Context = Funny,” and also presents typologies of the setup and punch line, the genre categories of comic plots, and a list of surefire cartoon scenarios, from the classic desert-island castaways to the contemporary “two young professionals.” The text also offers cogent tips for breaking into the comedy biz, urging readers to analyze classic sitcoms, movies, stand-up acts and scripts to see what makes them funny; to develop comic personas and characters by imagining their back stories and motivations; to hone a trial skit or screenplay into a one-sentence “log-line” for pitching to producers; and above all, to “move to Hollywood.” The book serves all this up in readable prose spiked with insightful, entertaining exegeses of comedic works, but its pedagogical value is uneven; the advice is sometimes specific and actionable (words with “K” sounds are funny) and other times too sketchy to be very useful (“Mash up the funny with the not so funny to create a third funny, which technically should not exist. Sometimes this works and sometimes not”). Lurking in the background is the assumption that doctrine, technique, practice and assiduous marketing are the keys to success, but the question of talent—and whether one can write good comedy without it—takes a back seat. Overall, the book doesn’t quite bottle the elusive soul of wit, but aspiring comedy writers may find helpful suggestions on how to refine and capitalize on their gifts.

An overthought but sometimes-useful guide for would-be yuksters.

Pub Date: July 26, 2013

ISBN: 978-0989746502

Page Count: 218

Publisher: CreateSpace

Review Posted Online: Nov. 26, 2013

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview