Fans of Hunter's Swagger family legend will be locked and loaded for more.
Hunter (I, Ripper, 2015, etc.) continues the Swagger family saga, with Bob Lee lured from retirement after a steel box secreted by his grandfather Charles is discovered on the family’s old Arkansas homestead.
In the box are a Colt .45 government-model pistol, an odd machined cylinder, an FBI Special Agent badge, a $1,000 bill, and a map. It will all trace back to 1934 and gangsters Homer Van Meter, Pretty Boy Floyd, Baby Face Nelson, and John Dillinger, who were robbing every bank in sight. Bob’s enigmatic grandfather Charles, a World War I hero, left his duties as Polk County sheriff to serve the federal Division of Investigation, the FBI’s forerunner, in Chicago, and the book alternates between his adventures in 1934 and his grandson's quest to figure out what happened. The action takes off as Charles, while sending more than one bad guy to the morgue, turns the division’s lawyers and accountants into shoot-to-kill street agents. There are regular shifts to Baby Face with surprising insight into his personality and marriage. While wanting to know why Charles buried that box, Bob Lee also sets out to find out why his grandfather spent only a few months with the division—"Everything about this old bastard was thin"—leading to two startling revelations. Hunter’s handling of a bank-robbery gun battle and later the bloody takedown of Baby Face are you-are-there choreographed. However, it’s Charles’ manipulating the mob, corrupt cops, and publicity hound Melvin Purvis while dodging Tommy guns, .45s, and the deadly Monitor that keeps the pages turning, letting Bob Lee’s pursuit of Charles’ history fade to a sideshow—at least until Bob deciphers the map and is confronted by the hillbilly Mafia.
Fans of Hunter's Swagger family legend will be locked and loaded for more.Pub Date: May 16, 2017
ISBN: 978-0-399-57460-3
Page Count: 464
Publisher: Blue Rider Press
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.
A young Philadelphia policewoman searches for her addicted sister on the streets.
The title of Moore’s (The Unseen World, 2016, etc.) fourth novel refers to “a long bright river of departed souls,” the souls of people dead from opioid overdoses in the Philadelphia neighborhood of Kensington. The book opens with a long paragraph that's just a list of names, most of whom don’t have a role in the plot, but the last two entries are key: “Our mother. Our father.” As the novel opens, narrator Mickey Fitzpatrick—a bright but emotionally damaged single mom—is responding with her partner to a call. A dead girl has turned up in an abandoned train yard frequented by junkies. Mickey is terrified that it will be her estranged sister, Kacey, whom she hasn’t seen in a while. The two were raised by their grandmother, a cold, bitter woman who never recovered from the overdose death of the girls' mother. Mickey herself is awkward and tense in all social situations; when she talks about her childhood she mentions watching the other kids from the window, trying to memorize their mannerisms so she could “steal them and use them [her]self.” She is close with no one except her 4-year-old son, Thomas, whom she barely sees because she works so much, leaving him with an unenthusiastic babysitter. Opioid abuse per se is not the focus of the action—the book centers on the search for Kacey. Obsessed with the possibility that her sister will end up dead before she can find her, Mickey breaches protocol and makes a series of impulsive decisions that get her in trouble. The pace is frustratingly slow for most of the book, then picks up with a flurry of revelations and developments toward the end, bringing characters onstage we don’t have enough time to get to know. The narrator of this atmospheric crime novel has every reason to be difficult and guarded, but the reader may find her no easier to bond with than the other characters do.
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.Pub Date: Jan. 7, 2020
ISBN: 978-0-525-54067-0
Page Count: 496
Publisher: Riverhead
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being...
In the wake of family tragedy, does an oldest sister’s disappearance point to something even more nefarious?
As a child in Bartonville, Oregon, Emily Mills saw something terrible that she hasn’t been able to forget for 20 years. Even worse than seeing the body of her father, who was white, hanging from a tree in the backyard was seeing her older sister, Tara, at the scene of the crime. Tara leaves town and isn’t heard from again, so Emily can’t ask what she was doing there the fateful night their father was murdered. When their mother takes her own life shortly afterward, Emily and her youngest sister, Madison, never recover from the multiple traumas. Although they do their best to go on running Barton Diner, the family restaurant, Emily fears that her questions may never be answered. Though Chet Carlson was caught and eventually confessed to the crime, he’s still in prison when history seems to repeat itself through a double murder of interracial couple Sean and Lindsay Fitch, with Emily once again cast as the person who finds the bodies. Sean has a KKK sign carved into his head, which reminds Emily of whisperings about her father's racist connections. How else might the crimes be related? Rightfully not trusting the police to do a thorough investigation, Emily calls the FBI, which dispatches agents Zander Wells and Ava McLane to investigate. Elliot (Bred in the Bone, 2019) seems less interested in setting Emily up as part of the crime than in pairing her romantically with Zander. That’s just as well, because the who and why of the crimes feels almost incidental rather than displaying a deeper connection to any larger theme.
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being quite satisfying on any.Pub Date: Jan. 14, 2020
ISBN: 978-1-5420-0672-9
Page Count: 336
Publisher: Montlake Romance
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
