by Stephen R. Donaldson ‧ RELEASE DATE: Oct. 15, 2013
It goes without saying that a reader who enters the series without the benefit of the preceding volumes will be utterly...
The Thomas Covenant series comes to a lumbering halt after four decades.
Donaldson (Against All Things Ending, 2010, etc.) opened the 10-book series in 1977 with Lord Foul’s Bane, Lord Foul being, as his name suggests, a decidedly not-nice fellow whose job it is to bring misery to the Earth and The Land, the latter a place that exists if you click your heels together three times or otherwise believe. Like so many fantasy series of the era, Donaldson’s labors under the heavy shadow of J.R.R. Tolkien, and at times, it reads like a lost million or so words from the Lord of the Rings as filtered through H.P. Lovecraft, who never met an eldritch sentence he didn’t like. And Donaldson’s series and this last book are as eldritch as they come, populated by the likes of magic-shunning warriors called Haruchai; horsemen, and not Japanese noodle makers, called Ramen; and Ravers, not MDMA-partaking hipsters but very, very unpleasant evil spirits whose nastiness is tempered only by the will of old Lord Foul himself. Thomas Covenant is an unusual hero to the extent that he’s not really very likable, though he’s got an interesting CV, including having survived a fearful bout of leprosy and every demon The Land could throw at him. Donaldson brings this tale to a close with an epic showdown between Lord Foul and Covenant, and it moves from Tolkien Lite to Tolkien Heavy: “Barnl...passed Bluntfist and Stonemage, drifted like a shadow among the Cavewights. With the rippled edges of his longsword, he seemed to reap creatures all around him. Howls became shrieks. Bodies fell.” It’s the standard good-versus-evil yarn, save that if evil is always evil, good is not always good.
It goes without saying that a reader who enters the series without the benefit of the preceding volumes will be utterly lost. Definitively of a piece with what has come before; if you’re a fan of Donaldson, this is indispensable. If not, of course, not.Pub Date: Oct. 15, 2013
ISBN: 978-0-399-15920-6
Page Count: 592
Publisher: Putnam
Review Posted Online: Oct. 20, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Robin Hobb ‧ RELEASE DATE: April 17, 1995
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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