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IMAGE OF GOD IN THE PERSON OF JESUS

An engaging study of the duality of Christ limited by its own theological biases.

A Christian author explores the duality of Jesus’s nature in this nonfiction theological study.

For centuries, Christians have grappled with their faith’s conception of the duality of Jesus—one who is both fully human and fully divine—and the contemporary church still struggles to articulate this central, yet mysterious, doctrine. (“Postmodern people live in a materialist world,” writes Hiemstra, “where the only things thought to exist are those that we can touch, taste, smell, hear, or see.”) The final volume in a three-part series that focuses on the image of God, this book builds upon Image of God in the Parables (2023) and Image of the Holy Spirit and the Church (2023) to provide readers with a biblical study of Jesus’ humanity and divinity (referred to as “transcendence” throughout the book). Introductory chapters contextualize “The Transcendence Challenge,” highlighting, for instance, the conflicting Hebrew and Greek worldviews regarding the heart and the mind: While the Greek world, and its philosophical descendants in the West, emphasized a schism that separated the heart and mind into distinct spheres, the author suggests that the Bible’s Hebrew context saw a “unity of heart and mind,” which informed early Christian notions of a “Triune God” (Father, Son, and Holy Spirit). Divided into three sections, the book’s main body explores questions about the personhood and divinity of Jesus through the lenses of Old Testament prophecies, Pauline letters, and the Gospels.

While the text’s theology reads as distinctly Protestant, especially in its emphasis on the inerrancy and primacy of the Bible, its orthodoxy is balanced by an ecumenical approach that references sources across the denominational spectrum. One passage on healing, for instance, references the writings of Francis MacNutt, one of the leading figures within the Catholic Church’s Charismatic Movement. Most of the book’s teachings are conservative in nature, including warnings against sexual sins and an undefined “Cultural Marxism.” Liberal Christians may not agree with the book’s traditional takes; Catholic readers may similarly bump against the lack of engagement with their own, millennia-old theology. The omission of a discussion of transubstantiation in the presence of the Eucharist is particularly glaring, given the centrality of the body and blood of Jesus—aspects directly related to Jesus’s personhood, a focus of the book—in Catholic doctrine. This eliding of Catholic and Orthodox traditions leads to occasionally head-scratching claims, such as Hiemstra’s observation that the “transcendence problem facing postmodern people that fixates on the humanity of Christ is something new.” The existence of Ebionites—a Christian sect denounced by Irenaeus and other second-century Christians as heretical due to its preoccupation with Jesus’s humanity—points to the longevity of a debate that predates postmodernism. Doctrinal quibbles, however, are bound to occur in any work centered on Christian theology. Backed by a solid network of references and scholarly, if distinctly conservative, sources, this book offers an accessible introduction to a fundamental question of the Christian faith. While it delves deeply into complex theology, the book is written in a devotional style that includes not only biblical exegesis but also an abundance of relevant anecdotes and prayers that conclude each chapter. The text also includes questions for small group discussions and personal reflections.

An engaging study of the duality of Christ limited by its own theological biases.

Pub Date: July 25, 2024

ISBN: 9781942199618

Page Count: 250

Publisher: T2Pneuma Publishers

Review Posted Online: Oct. 21, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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