Not without some gore but required reading for medical students and hospital-show junkies but also for anyone curious to...
A first-rate memoir from a British heart surgeon.
Westaby, a consultant cardiac surgeon at the John Radcliffe Hospital in Oxford, credits his grandfather for teaching him how to paint—for “connecting his hand to his brain” when he was a child—but seeing his painful deterioration from heart failure inspired the author’s pursuit of heart surgery—that and a mid-1950s American TV show featuring heart operations. So it was that the dirt-poor boy from a steel town outside of London made it to Charing Cross Hospital Medical School and on to a distinguished career. Following brief biographical chapters and some helpful heart anatomy lessons, the text is a series of you-are-there accounts of Westaby working in operating rooms around the world. In spare prose, he describes what he and his surgical team do to close a congenital hole in an infant’s heart, repair a mitral valve, transplant a donor heart, or implant an artificial one in the form of a ventricular assist pump. Readers will not soon forget the author’s stories about a baby in dire need of surgery to remove a heart tumor or the gang member stabbed close to his heart. Despite the cool detachment espoused by specialists engaged in daily life-or-death battles, Westaby comes across as caring and compassionate. This also manifests in his inveighing against Britain’s National Health Service for not covering costly but lifesaving pumps. (Many of the pumps Westaby implanted were paid for by private charities.) The NHS also insists that heart surgeons’ success and failure rates be published, which, since heart surgery is inherently hazardous, Westaby sees as an excellent way to discourage future practitioners. Indeed, his own accounts do not always end happily. Now, following thousands of surgeries, the author’s hand is permanently disfigured, and he no longer operates. He continues as a consultant, recognized for developing new surgical techniques and advancing artificial heart technology.
Not without some gore but required reading for medical students and hospital-show junkies but also for anyone curious to learn about hearts and the heroic measures to save them.Pub Date: June 20, 2017
ISBN: 978-0-465-09483-7
Page Count: 304
Publisher: Basic Books
Review Posted Online: April 15, 2017
Kirkus Reviews Issue: May 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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