by Sterling Seagrave & Peggy Seagrave ‧ RELEASE DATE: April 1, 2000
the truth. (2 maps, 44 b&w photos, not seen)
Two veteran investigative reporters (Dragon Lady, 1992, etc.) assail several generations of Japan’s first family with the
deadliest weapons of all: research and keen analysis. This is not a pleasant tale. Beginning their story with the first postwar meeting between General MacArthur and Emperor Hirohito on September 27, 1945, the Seagraves quickly establish a rather startling conclusion: "Money—not Shinto—is the state religion of Japan," where the various financial powers "milk [the country] like a cash cow." The picture grows only darker as the Seagraves shine their lights more brightly. They tell of unimaginable wealth and privilege (Yoshihito, who came to power in 1912, was the "first crown prince ever taught to dress himself"), about internecine struggles to pick the spouse of the emperor, about shadowy, enormously powerful figures in the background—bankers, industrialists—who manipulate both the imperial family and international events with the venal intent of enriching themselves and securing Japan’s prominence. Most alarming for American readers are the chapters dealing with WWII. The Seagraves cite "emerging" evidence that in 1941 both US and British officials knew in advance of the imminent attack at Pearl Harbor and did nothing: the desperate British needed US intervention, and the Roosevelt administration needed to mobilize prowar public opinion. The Seagraves describe the massive, desperate efforts of "Golden Lily," code name for the clandestine (and largely effective) Japanese operation to hide from Allied officials the billions of dollars of gold and other treasures the Japanese had plundered in the early years of the war—on a scale that has "never been seen before in human history." In addition, the Seagraves describe the reprehensible (and successful) efforts of MacArthur and other American officials to ensure that no member of the imperial family ever appeared before any war-crimes tribunal. A deeply disturbing chronicle of pervasive corruption and greed—of unspeakable violence visited upon people, values, and
the truth. (2 maps, 44 b&w photos, not seen)Pub Date: April 1, 2000
ISBN: 0-7679-0496-6
Page Count: 400
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
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by Michael Eric Dyson ‧ RELEASE DATE: Nov. 1, 1994
An intriguing but uneven essay on the enduring influence and image of Malcolm X, by the author of Reflecting Black (not reviewed). Dyson (Communications Studies/Univ. of North Carolina, Chapel Hill) prefaces his book with an arresting anecdote about leading a Malcolm X seminar at Brown University, where he publicly scolded black male students who imposed a ``racial litmus test'' to claim for themselves exclusive rights to Malcom's legacy (i.e., ``because I'm black, poor, male and angry, I understand him better than you''). Had Dyson drawn more frequently on classroom experiences, this book might have been energized. He first briefly sketches Malcolm's life and thought (avoiding lionization by noting his harsh attitudes toward women) and the complexity of his political evolution away from the Nation of Islam and black nationalism. Next comes a long assessment of the ``uncritical celebration and vicious criticism'' that mark so many books on Malcolm; Dyson identifies ``four Malcolms'' that emerge from these assessments: hero/saint; public moralist; victim and vehicle of psychohistorical forces; and revolutionary socialist. He then analyzes Malcolm's role in the resurgence of black nationalism, noting that his defiance has been adopted by rappers and other disaffected black youth. However, while calling for a ``new progressive black politics,'' Dyson doesn't analyze the role of the Nation of Islam or of black leaders like the Rev. Al Sharpton on the contemporary black political scene. His next chapter, on masculinity in 1990s black film, strays somewhat from his subject; more interesting is his take on Spike Lee's Malcolm X, which Dyson considers hagiographic but also ``often impressive...richly textured and subtly nuanced.'' The book concludes with a heartfelt meditation on how to make the best use of Malcolm's legacy. Dyson calls for a more complex debate on the state of black males, suggesting that Malcolm's message of self- discipline and self-love might be redemptive. Not as rich as Joe Wood's collection, Malcolm X: In Our Own Image (not reviewed), but useful for serious students.
Pub Date: Nov. 1, 1994
ISBN: 0-19-509235-X
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
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by John Egerton ‧ RELEASE DATE: Nov. 18, 1994
Egerton's examination of the South in the period immediately preceding the civil rights movement is less history through group biography than history through cameo appearance. Calling himself ``a middle-aged, middle-class, white Southern male with moderately liberal biases,'' Egerton (Southern Food, 1987, etc.) gracefully combines the narrative techniques of fiction with the richness of historical fact to examine the South in the period immediately preceding the civil rights movement. Covering the years from 1932 (the beginning of the New Deal) to 1954 (when the Supreme Court decided Brown v. Board of Education), the story unfolds chronologically, as most good history does, so the causes and effects are clear. Chronicling the Southern Tenant Farmer's Union and other groups, Egerton reminds us that conscience and opposition to racism existed in the South before Rosa Parks took her seat on the bus. But all these considerable strengths are dissipated by the way Egerton uses the huge cast he has selected. Those—black and white, rich and poor—who set the stage for Martin Luther King Jr. appear, disappear, and reappear in dizzying fashion. Far less known than King, some of the most interesting are Will Alexander, Mary McLeod Bethune, W.J. Cash, Frank Porter Graham, James Weldon Johnson, Lucy Randolph Mason, and Ralph McGill. If Egerton had explained their lives more fully, he would leave readers more satisfied. Still, the author does ultimately wrestle successfully with his wonderment at who and what transformed the politics and culture of the South in the space of a single generation. Those devoted to the study of Southern history will read this book avidly. Newcomers will learn a great deal from the author's inspired conceptualization but will need frequent respites from the flood of humanity he presents. (48 pages photos, not seen)
Pub Date: Nov. 18, 1994
ISBN: 0-679-40808-8
Page Count: 688
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
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