Berry (The Amber Room, 2003, etc.) sometimes overforeshadows his revelations, but he serves tantalizingly true tidbits about...
Nearly a century after the miracle of Fatima, an unrevealed secret wreaks havoc in the hierarchy of the Roman Catholic Church.
Fatima, Portugal, 1917. The Virgin Mary, on her third miraculous visitation, imparts a trio of secrets to Lucia, the eldest of the trio of children whom “The Lady” has blessed with the ability to see her. Eighty-plus years later, Monsignor Colin Michener, secretary to Pope Clement XV, notices that the boss has lately been prowling the Vatican secret archive in the dead of night for more information about Fatima. Also noticing is the ambitious and, it’s progressively revealed, ruthless Cardinal Valendrea, who, appropriately, has a fawning sidekick in Father Paolo Ambrosi. Michener pieces together additional facts about Lucia. She eventually did disclose the first two of her three secrets but then, falling prematurely into ill health, committed the third to paper and directed that it remain sealed until 1960. At that time, it was translated for Pope John XXIII by young Father Andrej Tibor. Beyond this, the details of the third secret become murky. Sensing a big story is star freelance journalist Katerina Lew, whose affair with maverick priest Father Tom Healy has triggered a disciplinary tribunal at the Vatican (Valendrea takes unseemly pleasure in predicting Healy’s removal from the priesthood). Katerina is also the former lover of Michener, who chose the Church over her a long time ago. When Michener decides to visit Tibor, now retired and working with orphans in Romania, Valendrea sends a conflicted Katerina to hook up with him. Michener senses Tibor’s guardedness and is unable to learn anything of importance. The suicide of Pope Clement then sends the Vatican into turmoil and the story into overdrive as a contentious papal election and the prophesies of St. Malachy figure prominently in its resolution.
Berry (The Amber Room, 2003, etc.) sometimes overforeshadows his revelations, but he serves tantalizingly true tidbits about the Church, and his measured, elegant prose is a solid fit with the story.Pub Date: June 1, 2005
ISBN: 0-345-47613-1
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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