A delightful dip into reading.
A fish jumps out of their fishbowl and into the ocean and (almost) ends up eaten!
The story starts above water with an elephant and a fish in a boat. The elephant, Mike, naps. But the fish, Pat, takes a dive into bigger waters and sees other fish. Pat swims deeper and deeper and sees more and more marine life, including eels, coral, shellfish. The coastal collective rejoices—some even swim in circles—until a shark bursts onto the scene. A crab sounds the titular alarm—“Hide!”—sending all the smaller creatures into the nearest ocean nook or cranny. Everyone, that is, except Pat. Pat cries out “Help me!” just as the shark’s jaws are about to clamp down. Fortunately, their elephant buddy, Mike, comically sinks down and lands on the shark, saving the day. The fish, in appreciation, lift the heavy elephant back to the surface. Told mostly through narrative text of sentences of five words or less, this entry in the I Like to Read series shares its companions’ generous trim size. Some dialogue is conveyed via speech bubbles, and a larger font is used to convey emotion. In fewer than 30 words, Henry creates a bright, cheerful ocean world. The characters are expressive and inviting—even the scary shark is depicted smiling. The art, created using ink and paint, is boldly outlined and set against simple, gradated backgrounds.
A delightful dip into reading. (Early reader. 3-7)Pub Date: July 17, 2018
ISBN: 978-0-8234-3773-3
Page Count: 32
Publisher: Holiday House
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
