A delightful way to share metamorphosis with the littlest listeners.
Hedgehog best friends Horace and Hattie are back, this time marveling at the wonder that is metamorphosis.
As in their first outing, this book begins by introducing the two friends, sharing what they like to do together as well as apart. One day, the two find something “small and shiny and smooth” under a leaf. They are lucky enough to witness the caterpillar hatching from this egg (“egg,” “caterpillar,” “chrysalis,” “butterfly,” and “metamorphosis” are never used in the text). The “wriggly, stripy thing” starts to eat, and it eats and eats and eats and gets bigger, until one day “it made a soft, silky bed, and there it slept for many days and many nights.” The two then spy the cocoon opening; “something beautiful, colorful, and wonderful” crawls out and then flutters away. Taken with this process, Horace and Hattie decide to try it themselves. They eat and eat and eat, then pile flowers in a heap and crawl in to sleep. They emerge transformed and colorful, the petals stuck to their spines, and they can even fly…on their swings. The duo are delightfully naïve and filled with wonder and imagination. Tapper’s textured, digital illustrations have lots of details that will provoke smiles, as when Horace angrily points his finger in a “go away” gesture at a hungry bird, protecting the caterpillar.
A delightful way to share metamorphosis with the littlest listeners. (Picture book. 3-7)Pub Date: Dec. 13, 2016
ISBN: 978-1-62779-414-5
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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