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THE SKEPTICS' GUIDE TO THE FUTURE

WHAT YESTERDAY'S SCIENCE AND SCIENCE-FICTION TELL US ABOUT THE WORLD OF TOMORROW

An intriguing if bet-hedging work of futurology that calls into question the whole business of futurology itself.

A gimlet-eyed look at the promises of technology and futurists past.

If people were to live to be 1,000, and if one of them committed some heinous crime, would it be just for a life sentence to last multiple centuries? Thus one of the thought experiments in the latest by the Novellas, a follow-up to The Skeptics’ Guide to the Universe. The authors argue that while we have made tremendous progress in technology in the past half-century, it’s been in arenas that we didn’t quite expect: not the cure for cancer or the solution to climate change but instead fun apps to distract us from the world. “I drive to work in a car that would most likely seem ordinary to a driver from the 1950s,” write the authors, “but they would likely be blown away by my GPS and entertainment system.” That we might expect different comes from the overselling of a gleaming future by science fiction—e.g., the promise in 2001 that we would have traveled to Jupiter two decades ago or the projection that we’d have so much leisure time that we’d all become masters of our various corners of the universe. Instead, as the authors note, modern life proves “the deep philosophical principle that shit happens,” with most of us incapable of seeing it coming. The authors venture a few predictions of their own, including the expansion of robotics and the mechanization of biology, creating replacement parts within our bodies that are far more effective than the current titanium knees and hips. “But why limit ourselves to the original body plan?” he rejoins. “We can even add extra limbs.” One thing may be certain: If we live forever or very nearly so as “genetically modified cyborgs,” there won’t be much need for children—so maybe don’t buy stock in diaper manufacturers.

An intriguing if bet-hedging work of futurology that calls into question the whole business of futurology itself.

Pub Date: Sept. 27, 2022

ISBN: 978-1-538-70954-2

Page Count: 512

Publisher: Grand Central Publishing

Review Posted Online: June 15, 2022

Kirkus Reviews Issue: July 15, 2022

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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