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A MAN AT ARMS

Action, loyalty, bravery, and blood make for fine historical fiction, and it’s all here.

A warrior and an unlikely cohort face the might of the Roman Empire in this vivid tale of tribulation.

In Anno Domini 55, a 14-year-old Jewish boy named David witnesses a group of brigands launch a failed ambush upon a wagon train. They are scant match against the mercenary Telamon of Arcadia, who bears a tattoo of his former Roman Tenth Legion. After rescuing the wagon train from the bandits, the fearsome warrior assists a mute and “feral girl-child” named Ruth and her caretaker, Michael. Star-struck, David declares himself Telamon’s apprentice. Meanwhile, the Romans are chasing Michael, whom they consider "the most dangerous man in Palestine." They fear that he's carrying a lengthy and seditious letter written by Paul the Apostle or that he knows where it is. Said letter is destined for delivery to the Christian underground in Corinth, Greece. Meanwhile, Marcus Severus Pertinax, the Roman commander in Jerusalem, knows Telamon well and directs him to find the messianic “Jewish subversive calling himself Paul the Apostle,” a man who “cannot be suborned, coerced or reasoned with.” And Severus urgently wants Paul’s letter. Although Telamon claims to believe in nothing but money, he travels across the desert with Michael, Ruth, and David, who don’t have two coins to rub together. And Michael and Ruth won’t say if the letter even exists. They endure unrelenting trouble: bloody skirmishes, parching thirst, terrible torments, threatened crucifixion, and a treacherous witch (is there any other kind?) who wants to rip Michael’s guts out to look for the missive. Throughout their arduous journey are hundreds of colorful details, such as the balloon trousers of the Sadducees and the underground city called The Anthill. The writing style feels at times like that of an old storyteller of the day: “David could not see the lead sling bullet, so swiftly did it fly.” Though the foursome do not share a common faith, they show each other unflagging fealty.

Action, loyalty, bravery, and blood make for fine historical fiction, and it’s all here.

Pub Date: March 2, 2021

ISBN: 978-0-393-54097-0

Page Count: 336

Publisher: Norton

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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