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KIDS OF KAZUMETH

THE ROOTS OF KALUNA

A gripping, layered tale of magic, memory, and identity.

A teen discovers a hidden world beneath his town and must stop a dark force that threatens two worlds in Wriston’s YAnovel.

High schooler Jack doesn’t think much of his strange dream about a close friend’s betrayal until an earthquake in his small Pennsylvanian town reveals a cave with mysterious writing on its walls. On his way to school, Jack passes by the cave and is nearly drawn inside by ghostly voices. Afterward, he’s met by his girlfriend, Emma, but he spends the rest of the day feeling off. A new tension—between the ordinary and the impossible—hangs over him like a fog. He ends up back at the cave with his best friend, Emerson, and this time they both hear it: a scream from deep within and voices that don’t feel imagined. The line between reality and dreams starts to blur as Jack begins to question whether his mother knows more than she’s letting on and if the voice he heard in the cave belonged to his missing classmate, Stefani. When Stefani is erased from everyone’s memory the next day, Jack and Emerson realize that something sinister is afoot. What starts as a mystery about a cave becomes something deeper: the dismantling of Jack’s life, piece by piece, until the only thing left is the choice to give in to the forgetting or to fight for a world that he’s starting to doubt ever existed (“I don’t even know what’s real anymore”). Throughout all of this, the writing holds steady even as the ground beneath the characters’ feet doesn’t. Tension builds in precise increments with a strange dream here, a missing person there, until suddenly nothing is certain. Jack wrestles not only with startling revelations about a magical world called Kazumeth but also the weight of grief, doubt, and loneliness. It’s these emotions that the main antagonist, Akuramundo, plays on as he turns allies against each other and works within the shadows to throw both worlds into turmoil. The pacing is brisk, and the narrative is layered with tension that complements the slow build of the first half. This is a story that is both compelling and thought-provoking.

A gripping, layered tale of magic, memory, and identity.

Pub Date: Sept. 30, 2025

ISBN: 9798998628900

Page Count: 364

Publisher: N/A

Review Posted Online: Aug. 14, 2025

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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